Ontogenesis of the choreographic culture of Prykarpattia from its origins (primary sources) – to the end of the 18th century

Abstract

The purpose of the article is to study and describe the features of the ontogenesis of the dance culture of Prykarpattia, its significance for choreographic culture and Ukrainians as descendants of the cultural choreographic heritage of ancestors. Methodology. The goal set in the article has led to the use of a number of research methods, namely the use of descriptive, logical, historical, systematic methods. The comparative method made it possible to elucidate the ethnocultural mechanisms of the origin, formation and development of Prykarpattia choreography as a holistic phenomenon. The paper uses a comparative analysis and synthesis of the provisions of professional works of researchers in the fields of history, culturology, ethnography, philosophy, art history, related to the topic of this article. The scientific novelty of the publication is that for the first time it comprehensively explores various aspects of the ontogenesis of choreographic culture of Prykarpattia in the context of its historical development, identifies features of dance culture due to the influences of neighboring nations. Conclusions. Dance is an artistic means for the audience to learn traditional signs, ethics of communication, historical past, traditions and life of ancestors. The uniqueness of cultural traditions, customs, beliefs, geographical location and economic and political situation led to the formation of the Carpathian choreographic culture. Ontogenesis and trends in the development of dance in the Carpathians contributed to the creation of an original, distinctive, unique choreographic culture.

Key words: culture, ontogenesis, dance, folklore, choreographic culture, art, creativity, heritage.