Development of executive skill guitar students in the processor education in Higher Educational Institutions

Abstract

The purpose of the article is to understand the process and research of the main stages of the development of the performance skills of students-guitarists and highlight its significance in modern domestic performance as a qualitatively new step in the formation of the general aesthetic culture of a modern performer and the professionalisation of guitar art from the point of view of new technical and artistic possibilities of the instrument. The research methods are based on the systematisation and practical approbation of individual methodological issues, which are aimed at solving the main problems of the technical development of students during individual classes on the main instrument and group classes in the orchestra class at the Faculty of Arts; combining work on the artistic image and the technical component during execution. Scientific novelty. The article analyses the main trends in the performance culture of guitarists in solo and ensemble forms of performance. This work is a reflection of the results of my own experience in the process of forming and developing the performance technique of university students, as well as the general professional level of mastery of playing the six-string classical guitar in the conditions of the educational programme of Ukraine. Conclusions. The creativity of modern composers-guitarists is aimed at revealing all the performance possibilities of the instrument, combining the arsenal of performance techniques of playing the classical guitar with specific performance means. Therefore, during the training of modern professional performers on the classical guitar, special attention should be paid to mastering all the existing methods of playing, which are characteristic of the classical, jazz, flamenco, and rock schools.