Features of Representation of Images of Ancient Rus Mythology in the Art of Kyiv Rus through the Prism of Synergetics of the Orthodox and Pagan Faith

Abstract

The purpose of the article is to identify the features of the artistic representation of significant images of the pagan mythology of the ancient Rusyns after the baptism of Kyivan Rus through the prism of the problems of the synergetics of the Orthodox faith and pagan culture. Research methodology. Analytical, historical-cultural, interpretative, typological, comparative, semantic, art-historical and compositional methods were applied. Scientific novelty. The problems of the coexistence of pagan images, symbols and motifs with Christian ones in Kyivan Rus in the 11th–13th centuries are considered; on the basis of the art-historical analysis of wrist jewellery (bracelets) of the specified period, the phenomenon of the synergetic coexistence of Orthodox and pagan beliefs of the ancient Ruthenians is traced. Conclusions. Despite the significant cultural influence of Byzantium, many Ancient Rus pagan images remained unchanged in the decor of artistic products, which formed the phenomenon of synergistic coexistence of Orthodox and pagan cults and their representation. The Orthodox cult combined with archaic religious ideas and rituals to form a complex syncretic complex that lasted for many centuries to come. The presence of bracelets-cuffs with pagan plots and symbols in the treasuries of the Old Rus princes of the 11th-13th centuries, along with jewellery depicting Christian saints and zoomorphic-floral motifs approved by the church, testifies to the synergy of the coexistence of pagan and Christian symbolism in the art of Kyivan Rus of the specified period. In addition to pagan images, usually represented in the geometric ornament of the lower row of the bracelet, the upper row presents canonical and apocryphal Christian symbols and images (the Tree of Life, griffins, sirens), as well as motifs of pagan rituals (in particular, Kupala).