Dance on the Modern Concert Stage: Interactivity and Digital Technologies as Factors of Transformation of Choreographic Forms

Abstract

The purpose of the article is to investigate the specifics of the functioning of dance on the modern concert stage as an interactive means of artistic communication, to analyse its role in forming the dramatic structure of the concert action, and to clarify the influence of innovative technologies on the transformation of choreographic forms. Research methodology. The structural-functional method was applied, which allowed us to assess the role of dance in creating a holistic concert performance. The comparative method was used to compare traditional and modern forms of dance, technological innovations and interactive practices on the concert stage. The cognitive method made it possible to determine the impact of dance on the modern audience. The content analysis method was used to identify forms of interactivity, technological innovations and the synthesis of arts. The synthesis and generalisation method was used to determine the role of dance on the modern concert stage in the synthesis of interactivity and digital technologies. Scientific novelty lies in identifying the features of the functioning of dance on the concert stage as an interactive phenomenon that combines traditional choreographic forms with multimedia technologies. For the first time, attention is focused on the role of interactivity as a factor that transforms the nature of interaction between the performer and the audience, creating a new type of concert and stage space that combines artistic expressiveness and digital innovations. Conclusions. Dance in the modern concert stage acts as a key means of non-verbal communication, capable of transmitting emotional and ideological meanings. The interactivity of the numbers activates the participation of the viewer, stimulates cognitive and emotional perception, and the use of multimedia and digital technologies increases artistic expressiveness and the effect of immersion. Thus, the combination of traditional choreography and innovative means substantiates the role of dance as a universal tool of cultural communication and the development of the modern concert stage.