Innovative Technologies and Their Impact on Stage Sound of a Pop Vocalist
DOI:
https://doi.org/10.32461/2226-3209.3.2025.344427Keywords:
pop vocal art, stage sound, technological progress, microphones, innovative technologies, ‘In-ear’ monitors (IEMs), vocalist self-controlAbstract
The purpose of the present study is to analyse the impact of innovative technologies on the formation and transformation of the stage sound of a pop vocalist, with a special emphasis on the evolution of sound monitoring systems. The methodology is based on a systems approach, which allows us to consider pop vocal art as a holistic system that is under the constant influence of technological innovations. Research methodology. To achieve this goal, a historical method was used that tracks the evolution of the interaction of pop vocals and technologies, as well as a comparative analysis to identify patterns and differences. The scientific novelty of this study lies in the comprehensive analysis and systematisation of the impact of innovative technologies, in particular acoustic transducers (microphones) and personal monitoring systems (IEMs), on the transformation of the stage sound of a pop vocalist. Conclusions. Innovative technologies, in particular acoustic transducers and personal monitoring systems (IEMs), play a decisive role in the qualitative transformation of the stage sound of a pop vocalist. Historical analysis has shown the limitations of traditional floor monitors, which created numerous challenges for vocalists, while (IEMs) have made a real revolution, providing unprecedented self-control, intonation accuracy and hearing protection. This technological change has not only increased the technical skill of performers, but also provided psychological comfort, opening up opportunities for free movement on stage. Thus, the combination of these innovations is actively shaping new dimensions in pop vocal art and contributing to the improvement of the quality and professionalism of live performances, bringing Ukrainian pop to a new level.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License International CC-BY that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).