Emergent Theatricality: Transformation of the Prometheus Archetype in Post-Secular Ukrainian Theatre
DOI:
https://doi.org/10.32461/2226-3209.3.2025.344480Keywords:
emergent theatricality, quantum performer, post-secularity, PH-fantasy, Ukrainian theatreAbstract
The purpose of the work is to conceptualise emergent theatricality as a new paradigm of Ukrainian theatre through analysing the transformation of theatrical subjectivity from the Prometheus archetype through the philosopher-clown figure to the quantum performer, and to determine conditions for the possible consolidation of emergent processes in a post-secular context. Research methodology. An interdisciplinary approach was applied, synthesising culturological analysis, theatre studies, and philosophical reflection. The comparative method was used to juxtapose historical stages of theatrical transformations, a phenomenological approach to analyse theatrical presence, and conceptual analysis of post-secular theories. The theoretical foundation includes N. Korniienko’s works on the quantum paradigm of theatre, H. U. Gumbrecht’s concept of presence, G. Vattimo’s post-metaphysical philosophy, and K. Wilber’s integral theory. Scientific novelty. The concept of emergent theatricality is proposed as a culturological category for understanding contemporary theatrical processes. The notion of ‘quantum performer’ is introduced to denote a new type of theatrical subject. An attempt is made to analyse unconsolidated theatrical innovations in Ukrainian theatre (L. Kurbas, A. Zholdak, O. Seredyn) through the lens of diffusion of innovations theory and the concept of PH-fantasy. The role of post-secular religiosity as an instrument of theatrical emergence is substantiated. Conclusions. Emergent theatricality appears as a possible paradigm synthesizing the quantum approach with post-metaphysical spirituality in movement toward cosmocentric consciousness. Analysis of historical precedents revealed the necessity of convergence of technological, psychological, and cultural readiness for successful theatrical innovations. Contemporary Ukrainian theatre is at a bifurcation point where war, digital culture, and post-secular theories create a unique window of opportunity for an emergent leap.
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