"Farinelli" – First Countertenor Competition and Voice Vladyslav Shkarupilo

Abstract

The purpose of the study is to analyse the results of the world’s first ‘Farinelli’ countertenor competition within the framework of the F. G. Handel International Festival, to outline the requirements for the vocal technique of modern countertenors, and promising ways of training Ukrainian singers to perform works of the countertenor repertoire in the musical content of world opera art. The research methodology is based on a comprehensive approach that includes the use of empirical approaches: observation and generalisation of the requirements for modern performers of baroque vocal music and modern repertoire, an analytical method used to highlight the history of countertenor singing and the results of the Farinelli countertenor competition, the importance of both baroque and modern repertoire in the process of educating a countertenor vocalist, his further creative activity. The methods used reveal the practical performing aspect of the research. The scientific novelty of the article lies in highlighting and summarizing the main requirements for the vocal technique of singing of modern countertenor performers, which affects the singer’s career growth and the content of his repertoire. For the first time in Ukrainian musicology, the first ‘Farinelli’ 2025 countertenor competition and the Ukrainian countertenor Vladyslav Shkarupilo, the youngest participant in the competition, are presented. Conclusions As a result of the research conducted the results of the first international competition of countertenors ‘Farinelli’ were analysed. The analysis of the works involved in the performance practice of the finalists of the competition makes it possible to identify a number of important requirements corresponding to the traditions of the performance of the musical aesthetics of the Baroque and the modern countertenor repertoire. Mastering the coloratura technique occupies one of the main places and should be considered not only as an element of the historical context of the performed works, but also as a necessary skill that reveals the technical capabilities of the voice and creates conditions for expanding the stylistic diversity of the repertoire. In addition to the rather complex vocal and technical training, an important role is played by the performer’s intellectual abilities, ability for analytical thinking, erudition and musical taste, knowledge of languages, musical styles and genres, general musical culture, and sociability. The Farinelli Vocal Competition is undoubtedly significant in world musical culture and has an impact on the development of performing vocal art. The competition provides an opportunity for young singers from all over the world, regardless of origin, education, or vocal schools, to demonstrate their talents to an international audience, and receive not only awards and engagements, but also well-deserved recognition from leading opera experts.