Ukrainian Identity on the World Stages: Contemporary Readings of National Operas

Abstract

The purpose of the article is to clarify the role of Ukrainian musical and performing arts in the processes of cultural representation abroad, as well as to study the specifics of theatrical activity as a tool of affirming national identity. The research methodology consisted in using a comprehensive approach, in particular, theoretical and analytical, generalisation, and comparative methods. Scientific novelty. The results obtained allowed the author to better understand the changes taking place in the processes of cultural representation of Ukraine abroad in modern conditions. Conclusions. As a result of the analysis of the Ukrainian Theatre in Budapest’s opera productions by national composers in 2024–2025, it was found that the performances confirmed the versatility of Ukrainian artistic resources. Reading classical plots, the stage embodiments of the operas combined national elements in scenography and costumes with their modern interpretation. By bringing together performers from different countries on the stage of the National Theatre of Hungary, these events became a vivid representation of Ukrainian opera classics at a high professional level and were received by the international audience with full halls, which contributes to the formation of a positive image of Ukraine abroad.