Improvisational Theatre as a Phenomenon of Contemporary World Art

Abstract

The purpose of the article is to provide a comprehensive theoretical exploration of improvisational theatre as one of the leading forms of contemporary world art, which shapes new models of stage interaction, pedagogical strategies, and principles of acting creativity. The study aims to examine the role of improvisation in developing stage authenticity, organic action, ensemble collaboration, and the performer’s creative freedom. The research methodology combines cultural, historical-genetic, comparative, and systemic approaches, allowing the evolution of various national improvisation schools to be traced, along with methods of theatre analysis that make it possible to compare the traditions of the USA, Canada, Italy, France, and the United Kingdom. Structural-functional analysis is used to define improvisation as a pedagogical tool that enhances imagination, spontaneity, partner interaction, and the actor’s ability to act in real time without reliance on a fixed script. The scientific novelty of the article lies in substantiating improvisational theatre as an independent artistic phenomenon that not only draws on historical practices such as commedia dell’arte but also generates modern models of scenic communication, including long-form, short-form, Theatresports, improvisational battles, and integrated performance-based forms. For the first time, the article summarises theoretical foundations that position improvisation as a universal method for developing acting skills, extending beyond theatrical art into fields such as education, art therapy, management, and communication. Conclusions. The globally, improvisational theatre functions as a catalyst for expanding the actor’s creative capacities, generating new modes of stage existence, and cultivating psychological flexibility, adaptability, and innovative thinking. Its influence on 21st century stage art demonstrates the growing need for live, unpredictable, and authentic performance built on trust, partnership, and open communication between actor and audience.