Methodology of Scientific Research into the Gender and Demographic Sphere of Fine Arts Marketing: Economic Expert Analysis
DOI:
https://doi.org/10.32461/2226-3209.2.2026.362280Keywords:
Hedonic Pricing Models, Gender Pay Gap, art marketing, Fine arts marketing, demographic segmentationAbstract
The purpose of the Article is to develop and substantiate a methodology for economic and art historical expertise of the gender and demographic spheres of art marketing through the implementation of empirical price gap analysis and the verification of gender as an economic externality. The research methodology. The research is based on the application of Hedonic Pricing Models (HPM) and multifactor regression analysis, allowing for the isolation of the artist’s gender from other pricing factors (size, medium, provenance). A statistical price method was used to analyse volatility, and an empirical analysis of the Gender Pay Gap was conducted to validate the market’s signalling function. The scientific novelty lies in the introduction of the “economic externality of gender” concept into art marketing methodology. For the first time, a direct correlation between the author’s gender identity and the asset’s price elasticity during periods of market instability has been proven. An algorithm for verifying gender bias through Data Science tools is proposed, ensuring a transition from subjective art history to objective economic expert analysis. Conclusions. The study proves that the gender determinant in fine arts marketing acts as a significant economic externality, causing asset devaluation through the Gender Pay Gap mechanism. The application of Hedonic Pricing Models (HPM) and multifactor regression analysis allowed for the verification of the market’s signalling function and revealed higher price elasticity of female art under volatility. The objectification of art historical expertise through Data Science tools transforms gender from a sociocultural category into a measurable market indicator.
References
Adams Renée B., Kräussl, K., Navone, M. & Verwijmeren, P. (2021). Gendered Prices, The Review of Financial Studies, 34(8), 3789–3839 [in English].
Akimov, D. (2021). Marketing researches and promotion works of art in the fine art’s marketing. Kultura i suchasnist, 1, 139–144 [in Ukrainian].
Akimov, D. (2023). Marketing of Fine Art on the Way from Ancient Times to Art Market of the XXI Century. Herald of the National Academy of Culture and Arts Management, 2, 75–80 [in Ukrainian].
Akimov, D. (2023). Marketing Algorithms for Promoting an Art Product on Art Market. Mystetstvoznavchi zapysky, 43, 19–25 [in Ukrainian].
Akimov, D.I. (2025). Socio-Cultural Projecting and Component Methodologies of Social Engineering in Fine Arts Marketing. Herald of the National Academy of Culture and Arts Management, 1, 172–178 [in Ukrainian].
Akimov, D. (2025). Application of Social Engineering Tools in the Implementation of Aesthetic and Hedonistic Functions in Fine Arts Marketing. Herald of the National Academy of Culture and Arts Management, 3, 136–141 [in Ukrainian].
Akimov, D. (2025). Methodology of Scientific Research Work in the Field of Fine Arts Marketing Studies. Herald of the National Academy of Culture and Arts Management, 4, 149–155 [in Ukrainian].
Akimov, D. (2026). Methodology of Scientific Research in the Field of Fine Art Marketing (Gender and Demographic Determinants). Herald of the National Academy of Culture and Arts Management, 1, 96–103 [in Ukrainian].
Vakulenko, Yu. (2024). Implementation of Saving Function as the Main Function in Activities of European Visual Arts Museums during World War Two. Herald of the National Academy of Culture and Arts Management, 3, 126–132 [in English].
Vakulenko, Yu. (2024). Implementation of the Main Museums' Functions and Art Projects of the Occupation Authorities in Ukraine from 1941 to 1943. Herald of the National Academy of Culture and Arts Management, 4, 231–236 [in English].
Vakulenko, Yu. (2025). Formation of the Museum Collection of the National Museum “Kyiv Art Gallery”: Nationalised Collections. Part 1. Herald of the National Academy of Culture and Arts Management, 2, 271–276 [in English].
Velthuis, O. (2005). Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art. Princeton University Press [in English].
Goetzmann, W., Renneboog, L. & Spaenjers, C. (2011). Art and Money. American Economic Review, 101 (3), 222–226 [in English].
Denysiuk, Zh. (2023). Cultural Potential and Creativity of Modern Communicative and Event Practices. Library Science. Record Studies. Informology, 3, 99–104 [in Ukrainian].
Denysiuk, Zh. (2023). Visual communicative practices in the context of the development of creative industries. Herald of the National Academy of Culture and Arts Management, 3, 10–14 [in Ukrainian].
Denysiuk, Zh. (2025). Ukrainian cultural identity as the basis of national stability and cultural policy. Cultural Almanac, 1 (13), 309–315 [in Ukrainian].
Art museums are still dominated by white male artists (2022). Axios. https://www.axios.com/2022/09/10/art-museums-women-men-gender-disparity [in English].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License International CC-BY that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).