Contemporary Ukrainian Performing Art: Postcolonial Aspects
DOI:
https://doi.org/10.32461/2226-3209.2.2026.362467Keywords:
Ukrainian performing arts, contemporary art, postcolonial studies, theatre, Ukrainian cultureAbstract
The purpose of the article is to analyse postcolonial practices in various types of performing arts in modern Ukraine. The research methodology combines methods of analysis and synthesis, comparison, and theoretical generalisation. The scientific novelty lies in identifying the specifics of the implementation of the postcolonial strategy in modern Ukrainian performing arts. Conclusions. Postcolonial processes in modern Ukrainian performing arts are a natural reaction to a long period of cultural dependence on the Soviet-Russian imperial model. These processes gained particular intensity after the start of the Russian-Ukrainian war in 2014 and became one of the leading vectors of development of the artistic environment after the full-scale Russian invasion of Ukraine in 2022. Postcolonial trends encompass various types of performing arts – drama theatre, musical-dramatic theatre, opera, ballet. Postcolonial practices in Ukrainian performing arts are implemented at several levels: repertoire, institutional, linguistic, aesthetic, and bodily. They are manifested in the rejection of the Russian-language repertoire, the removal of works related to Russian imperial cultural narratives, the renaming of theatres, the rethinking of the national artistic heritage, the implementation of a new repertoire addressed to nationally marked works and the current issues of war, trauma, memory, loss, internal resistance and national self-identification. Postcolonial practices in the performing arts of modern Ukraine are not only a way of cultural distancing from Russian imperial influence, but also an important mechanism for the formation of national identity, the affirmation of the self-sufficiency of Ukrainian culture and integration into the European cultural space. Among the promising areas of further research are the comparison of postcolonial artistic practices in Ukraine and in other countries, the identification of the specifics of the manifestation of postcolonial and decolonial tendencies in the performing arts, the analysis of nationalistic politics as a manifestation of postcolonialism and decolonialism in contemporary performing arts, etc. Keywords: Ukrainian performing arts, contemporary art, postcolonial studies, theatre, Ukrainian culture.
References
Boyko, O. & Myroniuk? N. (2025). Ukrainian Dance in Decolonisation Processes of Contemporary Ukraine. National Academy of Managerial Staff of Culture and Arts Herald: Science journal, 4, 245–249. DOI: https://doi.org/10.32461/2226-3209.4.2025.351871 [in Ukrainian].
Borodina, N. (2025). Transformation of Ukrainian opera in wartime. NaUKMA Research Papers History and Theory of Culture, 8, 22–29. DOI: 10.18523/2617-8907.2025.8.22-29 [in Ukrainian].
Bulhakov, M. (2025) Ukrainian musical and dramatic theater after 2014: transformations, challenges and models of national cultural representation. Sloboda Art Studies, 3, 12–16. DOI: https://doi.org/10.32782/art/2025.3.2 [in Ukrainian].
Veselovska, H. (2019). A postcolonial discourse in theatrical interpretations. Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art, 2(1), 73–85. DOI: https://doi.org/10.31866/2616-759x.2.1.2019.170750 [in Ukrainian].
Harbuziuk, M., Stefan, O. & Chuzhynova, I. (2022). Decolonization of the National Acting School. Theoretical and Practical Dimensions. Prostsenium. 1–3(62–64), 42–49.
Homilko, O. (2023). Decolonization of Ukrainian culture: politics of war or national awakening? Filosofska Dumka, 3, 49–58. DOI: https://doi.org/10.15407/fd2023.03.049 [in Ukrainian].
Hundorova, T. (2013). Transit Culture. Symptoms of Postcolonial Trauma. Articles and Essays. Hrani-T [in Ukrainian].
Koliada, A. (2024). Contemporary operatic practices in the context of postcolonial discussions: Ukrainian experience. Culture of Ukraine, 86, 41–47. https://doi.org/10.31516/2410-5325.086.05 [in Ukrainian].
National Opera of Ukraine. Repertoire. Retrieved from: https://opera.com.ua/performance [in Ukrainian].
Lesya Ukrainka National Academic Drama Theater. Repertoire.Retrieved from: https://lesyatheatre.com.ua/ukr/plays [in Ukrainian].
On the condemnation and prohibition of propaganda of Russian imperial policy in Ukraine and the decolonisation of toponymy: Law of Ukraine. (21.03.2023) (as amended). Retrieved from: https://zakon.rada.gov.ua /laws/show/3005-IX#Text [in Ukrainian].
Strutynskyi, B. (2023). Ukrainian theater during the Russian-Ukrainian war: changes, problems, trends. Scientific Bulletin of the IK Karpenko-Kary Kyiv National University of Theater, Film and Television, 32, 30–35. DOI: 10.34026/1997-4264.32.2023.281318 [in Ukrainian].
Shyshkarova, K. (2025). Decolonisation of Corporation in Ukrainian Dance: Postcolonial Analysis of Soviet Legacy and Body Memory. National Academy of Managerial Staff of Culture and Arts Herald: Science journal, 4, 276–282 [in Ukrainian].
Shkandrii, M. & Kravchenko, Yu. (2024). Anticolonial, postcolonial, decolonial. Ukrainian decolonial glossary. Retrieved from: https://decolonialglossary.com.ua /decolonialanti-colonialpostcolonial-uk [in Ukrainian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License International CC-BY that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).