NATIONAL ROOTS OF PIANO SYMBOLISM OF A.SKRYABIN PERFORMANCE STYLE

Abstract

The purpose of given work. Designation factors of piano performance style of Skrjabin, his symbolical sources, inveterated in impressionism-symbolism of C.Debussy and salon pianism of F.Chopin. Methodological basis of the work – intonational aspect of style comparative method, as this offered in the works of different authors [6; 4] and also in germenevtic positions of A.Losev [5] and others. Scientific novelty of the work is defining by originality of idea of symbolical principle of clavierism of Skrjabin, which reproduce in conditions of piano play sounding of “equivalent hands” of clavecin traditions. Conclusions. Performance style of Skrjabin is determined by dynamic and technique limitations of salon tradition, which resisted to theatrical orchestral style of academic pianism after Liszt. The offered systematization of the information about russian salon art. Also place of Skrjabin is chosen in symbolical salon of begin of XX cent.in accordance with traditions Russian salon piano art of Moscow and Petersburg.