MUSICAL INDICATORS OF HISTORICAL PROCESSUALITY IN THE PARALLELISMS OF THE DEVELOPMENT OF CHINA AND EUROPE

Abstract

The purpose of given work is to discover musical signs of historic knowledge in connection with the reality of chronological parallelisms of musical development of China and Europe of the Middle Ages and New Time. Methodolog-ical basis of the work is an idea about a tone of epoch, put forward by G.Hegel and evolved in the conception of Renais-sance by A.Losev. Scientific novelty of the study is determined by the fact that for the first time it indicates synchroniza-tion of culture reformations of development of China and Europe, provided that, historically interaction and interinfluence were excepted. Conclusions. "New relationship" (after C. Jung) reveals itself – "semantic acausal relationship", which allows to understand the regular nature of chronological coincidences in the history of music culture of China and Europe.