"PERPETUUM MOBILE" BY V. MUZHCHYL AS AN EXAMPLE OF CONCEPTUALISM IN MUSIC AT THE BEGINNING OF XXI CENTURY

Authors

  • Dmitro Malyi

DOI:

https://doi.org/10.32461/2226-3209.4.2017.138846

Keywords:

idea, intertext, conception, method, performance, symbol, thinking.

Abstract

The purpose of the article is to reveal the principles of conceptual thinking as a phenomenon of artistic consciousness. The methodology of the research consists in using the interpretative semantic analysis of choral performance "Perpetuum mobile" by V. Muzhchyl, with the help of which it is possible to reveal subtext in the piece concealed by the composer and to interpret it creatively. The scientific novelty of the research lies in the substantiating of non-traditional interpretation of "Perpetuum mobile"as quasi-genre. Conclusions. The author formulated the main principals of conceptualism in V. Muzhchil’s creativity, based on the experience of communication the author of the article with his teacher. The trinity of musical semantics was revealed (in ternary form of the piece, three-time occurred thematism of introduction, in the middle section – visualization, vocalization of a symbol and its verbalization).

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Published

2018-05-11

Issue

No. 4 (2017)

Section

Articles

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