RITUAL INCENTIVES FOR THE FORMATION OF GENRE TYPOLOGIES (THROUGH THE EXAMPLE OF К.SZYMANOWSKI’S ETUDES)

Abstract

The purpose of the work is to identify ritual artifact incentives studied within music area (through the example of sketches of Szymanowski). Methodology is an integrated approach, defined by a ritual-based cultural processes formed by a folk conceptual Genesis and covered by a multidisciplinary principle, in accordance with the developments of V. Propp, V. Toporov, E. Durkheim as well as musicological rhythm-comparative positions of the works of B. Asafiev and linguistic philosophy of A. Losev. Scientific novelty. For the first time the works of K. Szymanowski (Etudes op.3) are studied in the genre and culturological aspect. Conclusions. The birth of genre typologies in music is defined by the life-practical and ideal-spiritual needs, which by its very appearance symbolize cultural extremism of consolidation of the stereotyping of the expression, of what was revealed in unicity of semantic discovery. In music history, the genre of sketch highlighted the stereotype of "training of the feat of professional service". In case of K. Szymanowski's Etudes, this is the "training of modernization” of the national consciousness.