The Collection of Works by Artist Heorhii Cherniavskyi (1924–1981) in Dnipro Art Museum's Collection
DOI:
https://doi.org/10.32461/2226-3209.3.2024.327898Abstract
The purpose of article is to analyze and systematize the collection of artworks by Heorhii Cherniavskyi (1924–1981), a representative of the Soviet realistic school of painting and People's Artist of Ukraine, housed in the Dnipro Art Museum. It also aims to present the landscape genre as the key focus of the artist’s work. The research methodology is based on a systematic approach, employing general scientific and specialized methods, including analytical, historical-chronological, systematization, and generalization methods. This approach allowed for a comprehensive examination of the subject matter and the formulation of well-grounded conclusions. The scientific novelty of the study lies in the comprehensive approach to analyzing and summarizing various aspects of the collection of Heorhii Cherniavskyi’s works. This collection is a significant part of the Dnipro Art Museum's holdings and represents the largest body of the artist's works in the state portion of Ukraine's Museum Fund. Conclusions. The results of the research establish the quantitative and genre-thematic structure of Heorhii Cherniavskyi’s collection in the Dnipro Art Museum. As of March 1, 2025, the collection includes 75 items from the main collection, covering a period of 26 years – the majority of the artist’s creative career (from 1954 to 1980). This allows researchers to gain a fairly comprehensive understanding of the artist’s artistic preferences. It has been demonstrated that landscape is a key genre in the artist's work. The landscape genre in Heorhii Cherniavskyi’s pieces of artworks from the Dnipro Art Museum collection is represented in various types and styles, which enabled the researcher to classify the landscapes by themes and narrative content, identifying the most numerous groups.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License International CC-BY that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).