Lighting Design in Figital Space of Modern Stage Performance

Abstract

The purpose of the article is to consider the features of the use of lighting design in musical mass events through the prism of the specifics of the figital space of a modern stage performance. Research methodology. The method of scientific analysis, the method of comparative analysis, art history analysis and theoretical generalisation were applied. Scientific novelty. For the first time in domestic art history, the issues of lighting design of musical mass events were considered in the context of the specifics of the figital space of modern stage spectacle; characteristic techniques of lighting design of musical mass events of the first half of the 2020s were outlined. Conclusions. The dialogism of sound and light sharpens the viewer’s perception and forces them to resonate with music on an emotional level. In the figital space of a musical mass event, lighting design is a tool that allows not only to accurately control the visual series, highlight key moments, direct the viewer’s attention and enhance the emotional impact, but also to create a sense of immersion and interaction. The use of music visualisation techniques (laser beams, flashes of light synchronised with music and colour change) contribute to the viewer’s complete emotional immersion and allow us to consider lighting design as a continuation of the stage spectacle. Typical techniques of lighting design for musical mass events that allow directors to create a vivid spectacle are: synchronisation of music and lighting; use of mobile devices for remote control of lighting equipment by the artist, mobile applications and LED-decorated armbands, interactive projections; placement of lighting devices behind screens.