The Influence of Popular Culture on the Socialisation of the Individual: Analysis of Theories
DOI:
https://doi.org/10.32461/2226-3209.1.2026.356212Keywords:
popular culture, socialisation of personality, identity, interpretation, comics, popular musicAbstract
The purpose of the research is to analyse existing theories in cultural studies regarding the influence of popular culture on the socialisation of the individual. The research methodology is based on a philosophical-anthropological approach and systematic-analytical analysis, which made it possible not only to analyse existing theories regarding the influence of popular culture on the formation of identity and socialisation of the individual, but also to identify the positive and negative consequences of its influence. Scientific novelty lies in the conceptualisation of the problem of the influence of popular culture on the socialisation of the individual. Conclusions. One of the most important ways in which popular culture influences society is through its ability to shape the beliefs and views of its audience. Popular culture plays a dual role: on the one hand, it unites society by offering a common language and entertainment, and on the other, it socialises by influencing the worldview and values of consumers. The level of influence that popular culture has on a person depends on the person themselves, their maturity, values, and ability to think critically. Popular culture acts as a filter that influences how people perceive themselves and the world. This interaction is two-way, and the strength of the influence depends on individual perception.
References
Zhukova, N. (2025). Popular culture: systematisation of cultural theories. Artistic Culture. Current Issues, (21(1), 55–71 [in Ukrainian].
Zosim, O. (2025). Classic crossover at the crossroads of elite and mass culture. Open lecture within the framework of the Cooperation Agreement between the IPSM of the National Academy of Sciences of Ukraine and the NAKKKiM. Retrieved from: https://www.youtube.com/watch?v=Eq8fJq-6K_I [in Ukrainian].
Moskalenko, V. (2024). Identity of a personality as a function of its socialisation. Socialisation of the individual in conditions of systemic change: theoretical and applied problems: collection of abstracts of the XVI International Scientific and Practical Conference (scientific electronic publication) (22 March 2024, Kyiv), 88–92 [in Ukrainian].
Muravitska, S. S. (2023). Synthesis of academic and non-academic musical traditions in the genre of classical crossover. PhD Thesis. Kyiv [in Ukrainian].
Pivneva, L. (2006). Political and popular culture as a subject of political analysis. Retrieved from: https://nasplib.isofts.kiev.ua/server/api/core/bitstreams/bf56d920-4b17-49b4-8ebd-f7f54357407b/content [in Ukrainian].
Sobutskyi, M. (2016). Ethical choices of a TV series character from the perspective of psychoanalysis. Retrieved from: https://ekmair.ukma.edu.ua/server/api/core/bitstreams/1869804a-4927-41cb-8936-7575c312f569/content [in Ukrainian].
Shmyhol, M., & Yushkevych, Yu. (2022). Axiological aspects of personality socialisation in the information society. Retrieved from: http://dspace.pdpu.edu.ua/bitstream/123456789/15606/1/Shmyhol.pdf [in Ukrainian].
Bourdieu, P. (2022). Dystynkcja. Społeczna krytyka władzy sądzenia. Wydawnictwo Naukowe SCHOLAR [in Polish].
Eco, U. (1984). The Role of the Reader: Explorations in the Semiotics of Texts. Indiana University Press [in English].
Eco, U. (1994). Apocalypse postponed. Indiana University Press. The British Film Institute [in English].
Eco, U. (1994). Dzieło otwarte. Forma i nieokreśloność w poetykach współczesnych. Wydawnictwo Czytelnik [in Polish].
Eco, U. (1996). Superman w literaturze masowej. Powieść popularna: między retoryką a ideologią. Państwowy Instytut Wydawniczy [in Polish].
Eco, U. (1997). Apocalittici e integrati. Comunicazioni di massa e teorie della cultura di massa. Retrieved from: https://www.examenapium.it/cs/biblio/ Eco1964.pdf [in Italian].
Giddens, A. (2002). Nowoczesność i tożsamość. ‘Ja’ i społeczeństwo w epoce późnej nowoczesności. Wydawnictwo Naukowe PWN [in Polish].
Giddings, F. H. (1908). The principles of sociology. An Analysis of the Phenomena of association and of Social Organization. The Macmillan Company. London: Macmillan & Co., Ltd [in English].
Jakubowski, W. (2011). Edukacja w świecie kultury popularnej. Impuls [in Polish].
Juza, M. (n.d.). Perspektywy rozwoju kultury popularnej w obliczu nowych mediów. Retrieved from: https://depot.ceon.pl/bitstream/handle/123456789/4546/Marta_Juza_Perspektywy_rozwoju_kultur_popularnej_w_obliczu_nowych_mediow.PDF?sequence=1 [in Polish].
Krajewski, M. (2005). Kultury kultury popularnej. Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza [in Polish].
LaBauve, T. (2016). How Heroes Argue. Batman, Superman and Philosophy. Edited by Nicolas Michaud. Open Court. Chicago, 58–67 [in English].
Melosik, Z. (2013). Kultura popularna i tożsamość młodzieży. W niewoli władzy i wolności, Oficyna Wydawnicza Impuls, Kraków [in Polish].
Nymś-Górna, A. (2020). Kultura popularna w edukacji i socjalizacji – możliwości i zagrożenia. Podstawy Edukacji. Dyskusje wokół kultury popularnej jako edukacyjnej przestrzeni, (13), 119–126 [in Polish].
Ostaszewska, A. Popkulturowe ramy tożsamości. Media, kultura popularna, internet jako nowe środowiska kształtowania tożsamości. Retrieved from: https://ore.edu.pl/wp-content/uploads/phocadow nload/pracownie/popkulturowe-ramy-tosamoci.pdf [in Polish].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License International CC-BY that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
