Organisation of Special Stage Events: Cultural and Creative Context

Abstract

The purpose of the article is to reveal the contents of special stage events, their organizational principles in the context of culturally creative existence. The methodology of the work consists in applying the culturological paradigm to study the phenomenon of eventfulness in culture; an axiological approach to identify the value orientation of cultural practices; phenomenological approach – to understand a special stage event in a culture-creating context; systemic approach – as a basis for understanding the organisational principles of a stage event; the principle of eventfulness in cultural discourse. The scientific novelty of the article lies in determining the axiological, creative, communicative components of the process of culture-creativity; substantiating the specificity of special stage events in the unity of their components: spatiality, performativity, temporality; generalisation of organisational principles of special stage events, taking into account international and state cultural policy, integration of various types of management during the planning and implementation of the event, application of project activities to increase the cultural-creative efficiency of the stage event in particular. Conclusions. The publication considered the issue of organising contemporary special stage events in the context of cultural creativity. It was noted that this phenomenon is characterised by reproduction and development of the person’s suprabiological nature, which actualises the meanings of culture, their transformation and establishment at a certain stage of human development. The axiological, creative, communicative dimensions of cultural creativity, which characterise its procedural nature, and are embodied in special stage events as modern factors of cultural-creative existence, are substantiated. The organisational characteristics of such events take into account the trends of the global socio-cultural space; implementation by means of stage art, stage space, scenario of cultural practice; integration into the event management system of the global international context, ensuring the implementation of a special stage event by means of event design.