Fashion industry: exploring the stages of digitalization, innovative potential and prospects of transformation into an environmentally sustainable ecosystem
DOI:
https://doi.org/10.15587/1729-4061.2023.273630Keywords:
stages of digitalization, innovation potential, fashion industry transformation, environmental safety, sustainable developmentAbstract
The study analyzes the stages and prospects of development the digital fashion industry, taking into account the growing raw material and environmental problems. In the course of analysis change the model of its functioning from linear to cyclic, multidisciplinary problems have been identified that it is advisable to solve based on an ecosystem common digital platform. To identify the essence, stages and role of digitalization in the fashion industry transformation, a content analysis of the digital design tools evolution was carried out, the results of which were compared with a historiographical analysis of fashion industry transformation of a post-industrial society.
As a result, it was found that the readiness of the fashion industry for transformation depends from the stage of digitalization, from the innovative ecological fashion design development and from the presence of motivated coherence actions among all fashion market subjects, as well as from the formation for them a new style of using clothes. In the course of the study, the structure of digital fashion industry innovative potential was determined as a part of the factors of art-aesthetic, technological, sociocultural, economic, environmental and administrative nature.
An approach to managing of the digital fashion industry transformation processes was proposed, based on the balance regulation between processes by redistributing the system total resources to eliminate the "bottleneck" and support the "weak element". Based on the formulated approach, a model of the strategy was proposed for managing the transformation of the fashion industry. The model is based on the decomposition of the main influence factors into relatively independent components, the regrouping of components based on the same nature with the regulation of the balance between these groups by redistributing common resources.
The model is based on the decomposition of the main influence factors into relatively independent components, the regrouping of components based on the same nature with the regulation of the balance between these groups by redistributing common resources
References
- EU Strategy for Sustainable and Circular Textiles (2022). European Commission. Available at: https://eur-lex.europa.eu/resource.html?uri=cellar:9d2e47d1-b0f3-11ec-83e1-01aa75ed71a1.0001.02/DOC_1&format=PDF
- Gazzola, P., Pavione, E., Pezzetti, R., Grechi, D. (2020). Trends in the Fashion Industry. The Perception of Sustainability and Circular Economy: A Gender/Generation Quantitative Approach. Sustainability, 12 (7), 2809. doi: https://doi.org/10.3390/su12072809
- Fichman, R. G., Dos Santos, B. L., Zheng, Z. (Eric). (2014). Digital Innovation as a Fundamental and Powerful Concept in the Information Systems Curriculum. MIS Quarterly, 38 (2), 329–343. doi: https://doi.org/10.25300/misq/2014/38.2.01
- Niinimäki, K.; Niinimäki, K. (Ed.) (2018). Sustainable Fashion in a Circular Economy. Sustainable Fashion in a Circular Economy. Aalto University, 12–41. Available at: https://core.ac.uk/download/pdf/301138773.pdf
- UN Alliance for Sustainable Fashion. Available at: https://unfashionalliance.org/
- Sustainable and circular textiles by 2030 (2022). Available at: https://op.europa.eu/en/publication-detail/-/publication/9f3fc2a6-b02f-11ec-83e1-01aa75ed71a1/language-en
- Centobelli, P., Abbate, S., Nadeem, S. P., Garza-Reyes, J. A. (2022). Slowing the fast fashion industry: An all-round perspective. Current Opinion in Green and Sustainable Chemistry, 38, 100684. doi: https://doi.org/10.1016/j.cogsc.2022.100684
- Karel, E.; Niinimäki, K. (Ed.) (2018). Design for Circularity: The Case of circular.fashion. Sustainable Fashion in a Circular Economy. Aalto University, 96–127. Available at: https://core.ac.uk/download/pdf/301138773.pdf
- Morone, P. (Ed.) (2022). Sustainable chemistry for a circular fashion Industry. Current Opinion in Green and Sustainable Chemistry. Available at: https://www.sciencedirect.com/journal/current-opinion-in-green-and-sustainable-chemistry/special-issue/10JRD9PB7R2
- Shirvanimoghaddam, K., Motamed, B., Ramakrishna, S., Naebe, M. (2020). Death by waste: Fashion and textile circular economy case. Science of The Total Environment, 718, 137317. doi: https://doi.org/10.1016/j.scitotenv.2020.137317
- Ikram, M. (2022). Transition toward green economy: Technological Innovation's role in the fashion industry. Current Opinion in Green and Sustainable Chemistry. doi: https://doi.org/10.1016/j.cogsc.2022.100657
- Mishra, S., Jain, S., Malhotra, G. (2020). The anatomy of circular economy transition in the fashion industry. Social Responsibility Journal, 17 (4), 524–542. doi: https://doi.org/10.1108/srj-06-2019-0216
- Papamichael, I., Chatziparaskeva, G., Pedreño, J. N., Voukkali, I., Almendro Candel, M. B., Zorpas, A. A. (2022). Building a new mind set in tomorrow fashion development through circular strategy models in the framework of waste management. Current Opinion in Green and Sustainable Chemistry, 36, 100638. doi: https://doi.org/10.1016/j.cogsc.2022.100638
- Matušovičová, M. (2020). Sustainable fashion as a part of the circular economy concept. Studia Commercialia Bratislavensia, 13 (45), 215–223. doi: https://doi.org/10.2478/stcb-2020-0009
- Arribas-Ibar, M., Nylund, P. A., Brem, A. (2022). Circular business models in the luxury fashion industry: Toward an ecosystemic dominant design? Current Opinion in Green and Sustainable Chemistry, 37, 100673. doi: https://doi.org/10.1016/j.cogsc.2022.100673
- Shrivastava, A., Jain, G., Kamble, S. S., Belhadi, A. (2021). Sustainability through online renting clothing: Circular fashion fueled by instagram micro-celebrities. Journal of Cleaner Production, 278, 123772. doi: https://doi.org/10.1016/j.jclepro.2020.123772
- Nambisan, S., Lyytinen, K., Yoo, Y. (2020). Digital innovation: towards a transdisciplinary perspective. Handbook of Digital Innovation, 2–12. doi: https://doi.org/10.4337/9781788119986.00008
- National Clothing Product Stewardship Scheme Design. Global Scan Report. Australian Fashion Council. Available at: https://drive.google.com/file/d/1LkSesXkvSlIv1xr799XG3cvGyHH3_uvU/view
- National Clothing Product Stewardship Scheme. Available at: https://ausfashioncouncil.com/product-stewardship/
- WRAP's vision for the UK circular economy. Available at: https://wrap.org.uk/taking-action/climate-change/circular-economy/wraps-vision-uk-circular-economy
- Sustainable clothing design. WRAP. Available at: https://wrap.org.uk/taking-action/textiles/actions/sustainable-clothing-design
- Sustainable clothing business models. WRAP. Available at: https://wrap.org.uk/taking-action/textiles/actions/sustainable-clothing-business-models
- The Fourth Industrial Revolution: what it means, how to respond (2016). World Economic Forum. Available at: https://www.weforum.org/agenda/2016/01/the-fourth-industrial-revolution-what-it-means-and-how-to-respond
- The State of Fashion 2022. BOF & McKinsey. Available at: https://www.mckinsey.com/~/media/mckinsey/industries/retail/our%20insights/state%20of%20fashion/2022/the-state-of-fashion-2022.pdf
- Hardabkhadze, I. A. (2013). Suchasnyi Odiah: naukovyi pidkhid do vyrishennia problem dyzainu. Kyiv: «Yzdatelskyi dom Vynychenko», 275.
- Adamkiewicz, J., Kochańska, E., Adamkiewicz, I., Łukasik, R. M. (2022). Greenwashing and sustainable fashion industry. Current Opinion in Green and Sustainable Chemistry, 38, 100710. doi: https://doi.org/10.1016/j.cogsc.2022.100710
- Oxman, N. (2015). Design at the intersection of technology and biology. Mit media lab. Available at: https://www.media.mit.edu/articles/design-at-the-intersection-of-technology-and-biology-2/
- BASF 3D Printing Solutions. Available at: https://forward-am.com/about-us/our-story/
- Ozioko, O., Dahiya, R. (2021). Smart Tactile Gloves for Haptic Interaction, Communication, and Rehabilitation. Advanced Intelligent Systems, 4 (2), 2100091. doi: https://doi.org/10.1002/aisy.202100091
- Autio, E., Nambisan, S., Thomas, L. D. W., Wright, M. (2018). Digital affordances, spatial affordances, and the genesis of entrepreneurial ecosystems. Strategic Entrepreneurship Journal, 12 (1), 72–95. doi: https://doi.org/10.1002/sej.1266
- Faulkner, P., Runde, J. (2019). Theorizing the Digital Object. MIS Quarterly, 43 (4), 1279–1302. Available at: https://misq.umn.edu/theorizing-the-digital-object.html
- Hund, A., Wagner, H.-T., Beimborn, D., Weitzel, T. (2021). Digital innovation: Review and novel perspective. The Journal of Strategic Information Systems, 30 (4), 101695. doi: https://doi.org/10.1016/j.jsis.2021.101695
- Kotler, P., Kartajaya, H., Setiawan, I. (2016). Marketing 4.0: Moving from Traditional to Digital. Wiley & Sons Inc.
- Konya-Baumbach, E., Schuhmacher, M. C., Kuester, S., Kuharev, V. (2019). Making a first impression as a start-up: Strategies to overcome low initial trust perceptions in digital innovation adoption. International Journal of Research in Marketing, 36 (3), 385–399. doi: https://doi.org/10.1016/j.ijresmar.2019.01.008
- Lyytinen, K., Nambisan, S., Yoo, Y. (2020). A transdisciplinary research agenda for digital innovation: key themes and directions for future research. Handbook of Digital Innovation, 279–286. doi: https://doi.org/10.4337/9781788119986.00034
- Nambisan, S., Lyytinen, K., Majchrzak, A., Song, M. (2017). Digital Innovation Management: Reinventing Innovation Management Research in a Digital World. MIS Quarterly, 41 (1), 223–238. doi: https://doi.org/10.25300/misq/2017/41:1.03
- Beltagui, A., Rosli, A., Candi, M. (2020). Exaptation in a digital innovation ecosystem: The disruptive impacts of 3D printing. Research Policy, 49 (1), 103833. doi: https://doi.org/10.1016/j.respol.2019.103833
- Online 3D Printing Service. Sculpteo. Available at: https://www.sculpteo.com/en/
- The State of 3D Printing Report: 2021. Sculpteo. Available at: https://www.sculpteo.com/en/ebooks/state-of-3d-printing-report-2021/
- Hardabkhadze, I. A. (2020). Dyzain maibutnoho: vid tsyfrovoi eiforiyi do konverhentsiyi naturalnoho i shtuchnoho intelektu. Sotsiokulturna dynamika ukrainskoho suspilstva. Rozdil 1. Teoriya ta istoriia sotsialnykh komunikatsiy. Kyiv: KNUKiM, 97–119.
- Hardabkhadze, I. (2019). Contemporary design. Synthesis of arts, technology, ethnoculture, and ecology. Issues in cultural studies, 35, 21–33. doi: https://doi.org/10.31866/2410-1311.35.2019.188781
- Gardabkhadze, I. (2020). The innovative potential of digital fashion design. Visnyk KhDADM, 2, 5–12. Available at: https://visnik.org.ua/pdf/v2020-02-01-Gardabkhadze.pdf
- Lyytinen, K., Yoo, Y., Boland Jr., R. J. (2015). Digital product innovation within four classes of innovation networks. Information Systems Journal, 26 (1), 47–75. doi: https://doi.org/10.1111/isj.12093
- Yoo, Y., Henfridsson, O., Lyytinen, K. (2010). Research Commentary – The New Organizing Logic of Digital Innovation: An Agenda for Information Systems Research. Information Systems Research, 21 (4), 724–735. doi: https://doi.org/10.1287/isre.1100.0322
- Sandebrg, J., Holmstrom, J., Lyytinen, K. (2020). Digitization and Phase Transitions in Platform Organizing Logics: Evidence from the Process Automation Industry. MIS Quarterly, 44 (1), 129–153. doi: https://doi.org/10.25300/misq/2020/14520
- Wang, P. (2021). Connecting the Parts with the Whole: Toward an Information Ecology Theory of Digital Innovation Ecosystems. MIS Quarterly, 45 (1), 397–422. doi: https://doi.org/10.25300/misq/2021/15864
- Mousavi Baygi, R., Introna, L. D., Hultin, L. (2021). Everything Flows: Studying Continuous Socio-Technological Transformation in a Fluid and Dynamic Digital World. MIS Quarterly, 45 (1), 423–452. doi: https://doi.org/10.25300/misq/2021/15887
- Tilson, D., Lyytinen, K., Sørensen, C. (2010). Research Commentary – Digital Infrastructures: The Missing IS Research Agenda. Information Systems Research, 21 (4), 748–759. doi: https://doi.org/10.1287/isre.1100.0318
- Sarker, S., Chatterjee, S., Xiao, X., Elbanna, A. (2019). The Sociotechnical Axis of Cohesion for the IS Discipline: Its Historical Legacy and its Continued Relevance. MIS Quarterly, 43 (3), 695–719. doi: https://doi.org/10.25300/misq/2019/13747
- Majchrzak, A., Griffith, T. L. (2020). The new wave of digital innovation: the need for a theory of sociotechnical self-orchestration. Handbook of Digital Innovation, 17–40. doi: https://doi.org/10.4337/9781788119986.00011
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Iryna Hardabkhadze, Sergey Bereznenko, Kateryna Kyselova, Larysa Bilotska, Oksana Vodzinska
This work is licensed under a Creative Commons Attribution 4.0 International License.
The consolidation and conditions for the transfer of copyright (identification of authorship) is carried out in the License Agreement. In particular, the authors reserve the right to the authorship of their manuscript and transfer the first publication of this work to the journal under the terms of the Creative Commons CC BY license. At the same time, they have the right to conclude on their own additional agreements concerning the non-exclusive distribution of the work in the form in which it was published by this journal, but provided that the link to the first publication of the article in this journal is preserved.
A license agreement is a document in which the author warrants that he/she owns all copyright for the work (manuscript, article, etc.).
The authors, signing the License Agreement with TECHNOLOGY CENTER PC, have all rights to the further use of their work, provided that they link to our edition in which the work was published.
According to the terms of the License Agreement, the Publisher TECHNOLOGY CENTER PC does not take away your copyrights and receives permission from the authors to use and dissemination of the publication through the world's scientific resources (own electronic resources, scientometric databases, repositories, libraries, etc.).
In the absence of a signed License Agreement or in the absence of this agreement of identifiers allowing to identify the identity of the author, the editors have no right to work with the manuscript.
It is important to remember that there is another type of agreement between authors and publishers – when copyright is transferred from the authors to the publisher. In this case, the authors lose ownership of their work and may not use it in any way.