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No. 41 (2022)
No. 41 (2022)
Published:
2022-08-26
Дизайн
Current trends in the formation of the modern image of interior architecture
pdf (Українська)
Stage design as a directing decision tool
pdf (Українська)
Design of hotel and restaurant complexes under the conditions of the COVID-19 pandemic
pdf (Українська)
Образотворче мистецтво, декоративне мистецтво, реставрація
Vyshyvanka as an object of Ukrainian-centric narrative and national-cultural identity in the information spase
Zhanna Denysіyuk
pdf (Українська)
«Pilgrimage to Dunhuang» – on the occasion of the 30th anniversary of the Gansu academy of painting
pdf (Українська)
The iconography of the Ivan Honchar Museum: the heritage of collecting traditions
pdf (Українська)
The artistic image of the ukrainian folk costume in the genre portrait of ukrainian artists (Russian-ukrainian war of 2022)
pdf (Українська)
Хореографія
The development of ballroom choreography in the Caucasian countries in the second half of the 20th century
pdf (Українська)
Pavlo Virsky's creativity is the symbiosis of choreographic and theatre art of the XX century
pdf (Українська)
Western ukrainian choreographers – representatives of today's modern dance
Tamara Drach , Maryna Pogrebnyak
pdf (Українська)
Музичне мистецтво
The embodiment of postmodernism categories in the artist’s biography
pdf (Українська)
Band-in-a-Box-a program to create compositions in genres of popular music
Рart 2
pdf (Українська)
‘I believe in Beethoven!’: The Musical Component of Stepan Charnetsky's Journalism
pdf (Українська)
To the Problem of Arrangements and Interpretations of J. S. Bach's Polyphonic Works on the Bandura
pdf (Українська)
Means of expression in advertising audiovisual works
pdf (Українська)
The kobzars’ art as a unique phenomenon of ukrainian national musical culture
pdf (Українська)
Concept fusion in modern rock music in Ukraine
pdf (Українська)
World music at the crossing point of global and ethnocultural ones
pdf (Українська)
Genre and style metamorphoses of the cycle «The Magic Horn of a Boy» in the German-Austrian musical-historical tradition of the XIX – early XX centuries
pdf (Українська)
Specificity of the concert master's activity in the choreographic ensemble: psychological and pedagogical aspects
pdf (Українська)
Yuri Shevchenko's ballet "For two hares": musical and literary sections
Vladyslava Aksiutina
pdf (Українська)
Spiritual-aesthetic and style instructions of K. Shymanovsky’s Creative Activity
pdf (Українська)
The role of V. Vshelyachynsky and his students in the formation of piano performance in Ternopol
Olena Spolska
pdf (Українська)
Madrigal base of the lyricism in ukrainian song
pdf (Українська)
Сценічне мистецтво
The scene as a space for artistic searches of the director-author. Part 2. M. Forman, A. Hitchcock: the theater as a hobby
pdf (Українська)
The role of national theatrical-critical thought in the process of the constitutioning the Ukrainian music and drama theatre in the late XIX – beginning of the XX centuries
pdf (Українська)
Features of creative activity of the theater and cinema actor
pdf (Українська)
Artistic practice of technical components of monologue speech of actors
pdf (Українська)
Worldview and art components of the innovative concept of the theater of French director Jacques Copeau
pdf (Українська)
Explanation of the concept of "verbal means of acting expression" in the category of artistic discourse
pdf (Українська)
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