Vol. 31 (2017): Мистецтвознавчі записки

Статті

• J. Rodrigo’s guitar concert «Aranjuez» as a phenomenon of Spanish neoclassicism

  Tymur Ivannikov

  3-24

  • PDF (Русский)

• CHORAL CONCERTS OF STEPAN DEGTYAREVSKY – A VIVID EXAMPLE OF UKRAINIAN CLASSICISM (THE PROBLEM OF IMAGERY AND STYLE)

  Stepan Lisiecki

  25-36

  • PDF (Українська)

• The creative activity of the woman vocal ensemble «Perlyna» of Vinnytsia college of culture and arts named after M. D. Leontovych: art criticism discourse

  Tetyana Sidletska

  37-44

  • PDF (Українська)

• Some aspects of the intertextual analysis of a musical composition

  Irina Pyatnitskaya-Pozdnyakova

  45-56

  • PDF (Українська)

• The features of interpretation in jazz

  Veronika Tormakhova

  57-63

  • PDF (Українська)

• The phenomenon of a pop vocal ensemble in contemporary cultural space

  Tetiana Lanina

  64-69

  • PDF (Українська)

• Features of the flute ensemble on the example of O. Serova’s works

  Nikita Pertsov

  70-76

  • PDF (Українська)
  • PDF (Русский)

• «SMM»: social media marketing as a powerful tool to promote music content on the Internet

  Nikita Bogdanov

  77-85

  • PDF (Українська)
  • PDF (Русский)

• The Tret’yaks’ artistic family

  Iryna Gandzha

  86-95

  • PDF (Українська)

• The identity of the singer in terms of the ideological transformations in the cultural and artistic life of Ukraine of the 1920s-1930s.

  Olena Katsalap

  96-108

  • PDF (Українська)

• Provençal «provincialism» in creativity of Darius Milhaud (on materials of «Brazilian dance» and the second suite «Scaramouche»)

  Keting Liu

  109-117

  • PDF (Українська)

• Special features of timbral color in piano music by Chu Wanhua (on the material of the «Yellow river» piano concerto)

  Fan Lu

  118-125

  • PDF (Русский)

• The sound code of traditional ritualism of Kharkiv Ukrainians’ calendar cycle

  Natalya Oliynyk

  126-133

  • PDF (Українська)

• Post-folklore creolized works in the measurement of visual internet-communication

  Zhanna Denysyuk

  134-143

  • PDF (Українська)

• The innovative approaches in the design of the directions of the development of the recreational activity on the dendrologist parks territories

  Nataliia Shevchenko

  144-151

  • PDF (Українська)

• The creativity of Sergey Drimtsov in the archival documents

  Olena Gedz

  152-159

  • PDF (Українська)

• On the concept of «festival of hairdressing»

  Yevgenia Fedorova

  170-179

  • PDF (Українська)

• Independent work on an academic course "Picture" as professional constituent of cre­ative potential of designer

  Olena Brazhnik

  180-189

  • PDF (Українська)

• Coloring screen painting

  Yuri Garmash, Aleksandr Pryadko

  190-199

  • PDF (Українська)

• The Oeuvre of the Russian sculptor-animalist Olexiy Tsvetkov at the Gorodnitskiy porcelain factory

  Olena Korus

  200-208

  • PDF (Українська)

• The technological aspect of the development of the ancient greek easel painting

  Andrey Petrushevsky, Natalia Petrushevska

  209-217

  • PDF (Українська)

• The style of the silverware, produced by the jewelry company of J. Marshak

  Natalia Sapfirova

  218-227

  • PDF (Українська)

• National clothes as a factor of the Ukrainian ethnic culture in the context of ethnic design

  Ilona Sivash

  228-236

  • PDF (Українська)

• The transcript experience of the english caricature, from the Kharkiv art museum col­lection

  Marina Filatova

  237-245

  • PDF (Українська)

• Decorative applied art of the modern era: typology and stylistics of products

  Victoria Cheban

  246-251

  • PDF (Українська)

• The criteria of forming of fashion trends and project images of mass consumption in fashion industry

  Natalia Chouprina

  252-260

  • PDF (Українська)

• School of the arts in the natural environment

  Valeriya Iyevleva, Iryna Shevchuk

  261-271

  • PDF (Українська)

• The organizational problems of the theatre in 1960-1980 (the systematization of the theathe networks and strengthening of the material-teghnical basic)

  Roman Esypenko

  272-279

  • PDF (Українська)

• New connotation in the ballet «The Rite of Spring» and the artistic techniques of «do u- ble coding» in the art of choreography

  Olena Aphonina

  280-288

  • PDF (Українська)

• Artistic and creative activity of the director: the nature of an expert’s professional work

  Nina Gusakova

  289-296

  • PDF (Українська)

• The special theatre as an effective instrument of artist and art-therapeutic influence

  Olga Shlemko

  297-307

  • PDF (Українська)

• Art of stage speech as the basis of the professional training of the masters of theatre and cinema

  Tetiana Nechaenko, Olha Vinar

  308-316

  • PDF (Українська)

• The retrospective analysis of the development of the system of dance recording

  Svetlana Shalapa

  317-324

  • PDF (Українська)

• Modern approaches to the definition of «stage ballroom dance»

  Sergey Kostecki

  324-331

  • PDF (Українська)

• Genre variety of spectacles with animalistic images

  Natalia Melnykova

  332-339

  • PDF (Українська)
  • PDF (Русский)