No. 2 (2016)

Articles

• TRANSFORMATION OF THE MEMORIAL SPACE AND MEMORIAL PRACTICES IN UKRAINE IN THE PERIOD OF INDEPENDENCE

  Konstantin Kisliuk

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• COUCHSURFING AS A SPECIAL PHILOSOPHY OF TRAVEL

  Liubov Bozhko

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• HISTORICAL FEATURES OF THE DEVELOPMENT OF ARMENIAN ARMS MANUFACTURING IN UKRAINE

  Iryna Hayuk

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• POSTFOLKLORE AS A SUBJECT OF HUMANITIES RESEARCH: PROPOUNDING A QUESTION

  Zhanna Denysyuk

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• GENDER EQUALITY AS AREA OF I. GASPRINSKY’S AWARENESS-RAISING ACTIVITIES

  Liliya Dynikova

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• HILANDAR COLLECTION AND UKRAINIAN MANUSCRIPT HERITAGE – A UNIQUE PHENOMENON OF UKRAINIAN CULTURE

  Liliia Tereshchenko-Kaidan

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• SPANISH AND UKRAINIAN ETHNOSPECIFIC PHRASEOLOGICAL UNITS IN THE PRESS

  Liudmyla Shevchenko

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• PROBLEM OF CULTURE OF THE CRIMEAN KHANATE IN MODERN HUMANITARIAN SCIENTIFIC DISCOURSE

  Meryem Idrisova

  • PDF (Русский)

• THE BOOK OF THE DEAD ON THE STELAE OF THE NEW KINGDOM

  Kristina Masalova

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• NATIONAL ROOTS OF PIANO SYMBOLISM OF A.SKRYABIN PERFORMANCE STYLE

  Daria Androsova

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• THE EMBODIMENT OF A NATIONAL CHARACTER IN THE INONATIONAL DRAMATURGY AT THE UKRAINIAN STAGE OF THE 60-80S OF THE XX CENTURY

  Roman Esipenko

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• MUSICAL SPACE AND WORKS OF UKRAINIAN COMPOSERS IN THE ASPECT OF STYLISTIC DIALOGUE

  Galyna Zavgorodnyaya

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• MUSICAL INDICATORS OF HISTORICAL PROCESSUALITY IN THE PARALLELISMS OF THE DEVELOPMENT OF CHINA AND EUROPE

  Liu Bingqiang

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• MODERN COMPOSER CREATIVE ACTIVITY AS SUBJECT OF EDUCATION

  Anna Nowak

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• LANGUAGE AND SONG AS MAJOR ASSETS OF UKRAINE

  Galina Poberezhna

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• THE COLOUR SYNERGETICS IN ADVERTISING COMMUNICATIONS OF THE POSTMODERN PERIOD

  Svitlana Pryshchenko

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• MYTHOLOGICAL CODES AND «DOUBLE CODING» IN ART

  Olena Aphonina

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• LEV SKOP: ICON-PAINTER, ART RESTORER AND PUBLIC MAN

  Iryna Dundyak

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• SOME ASPECTS OF HISTORICAL GENESIS AND EVOLUTION OF THEATRICAL ACTOR MASK

  Alla Medvedeva

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• FILM MUSIC IN THE WORKS OF CONTEMPORARY UKRAINIAN COMPOSERS

  Aleksandra Ovsyannikova-Тrеll

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• ADVERTISING VIDEO AS A KIND OF AUDIO-VISUAL PRODUCTION

  Svitlana Zarya

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• THE CONFLICT OF EMOTION AND DUTY IN THE INTONATION DRAMA LES DANAIDES BY A. SALIERI

  Lіu Bing

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• THEORETICAL-METHODOLOGICAL APPROACHES TO UNDERSTANDING OF ETHNODESIGN IN THE MODERN PERIOD OF CULTURE CREATIVITY

  Ilona Sivash

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• THE ROLE OF THE STATE SERVICE FOR CONTROL OVER TRANSFERRING OF CULTURAL VALUES ACROSS THE STATE BORDER OF UKRAINE IN PRESERVATION OF WORKS OF DECORATIVE ART AND TRANSFORMATION OF TRADITIONS IN THE FIELD OF ETHNO-DESIGN

  Inesa Tatiyivska

  • PDF (Українська)