No. 2 (2015): Культура і сучасність

Статті

• REGARDING THE HISTORY OF THE KYIV SCHOOL OF MALE BALLET PERFORMANCE OF THE 1960-70’S

  Serhii Afanasyev

  87-92

  • PDF (Українська)

• CODE THEORETICAL BASIS OF RESEARCH IN CULTURE AND "DOUBLE CODING" IN ART

  Olena Aphonina

  81-86

  • PDF (Українська)

• "UKRAINIAN CULTURE HAS ALWAYS BEEN MY FIRST CONSIDERATION…": VOLODYMYR OLEKSANDROVYCH SHCHEPOTIEV

  Lyudmila Babenko

  16-23

  • PDF (Українська)

• DANCE AS A PART OF THE RELIGIOUS RITES

  Maryna Bogdanova

  93-97

  • PDF (Українська)

• TOURISM AND FORMATION OF NEW IDENTITY

  Liubov Bozhko

  35-41

  • PDF (Українська)

• CONSTRUCTION OF THE IMAGE OF TARAS SHEVCHENKO AS A PART OF NATIONAL MEMORY

  Larysa Buryak

  3-9

  • PDF

• CONCERTO FOR HORN, TWO VIOLINS, VIOLA AND BASSO CONTINUO BY CHRISTOPH FÖRSTER: ON THE CROSSROADS OF THE BAROQUE AND CLASSIC TRADITION

  Maria Cherniak

  166-172

  • PDF (Українська)

• FORMING OF CONCEPTUAL BASES OF FASHION INDUSTRY DEVELOPMENT IN CONTEXT OF SOCIETY’S SOCIAL EVOLUTION

  Nataliya Chouprina

  115-125

  • PDF (Українська)

• THE TABLEFUL CULTURE OF THE ANCIENT GREEKS

  Olga Danylenko

  136-141

  • PDF (Українська)

• FRIEDRICH NIETZSCHE ABOUT CULTURE-CREATIVE POTENTIAL OF THE SPIRIT OF MUSIC

  Tetiana Kablova

  51-56

  • PDF (Українська)

• THE LINGUISTIC PICTURE OF THE WORLD: REFLEXIVE EXPERIENCE

  Olena Khlystun

  106-111

  • PDF (Українська)

• THE FORMATION OF INNOVATIVE CULTURE AND INNOVATIVE EDUCATIONAL SPACE OF HIGH SCHOOL OF CULTURE

  Kateryna Kyrylenko

  46-50

  • PDF (Українська)

• THE LINGUACULTURAL CONDITIONALITY OF MAKING UP OF PERSONALITY AND "CRITICAL PERIOD HYPOTHESIS" BY E. -H. LENNEBERG

  Lyubov Lysenko

  5-70

  • PDF (Українська)

• NATIONAL TRADITION IN CREATIVE WORK OF UKRAINIAN MEN OF THE 1960-S (MECHANISMS OF INHERITANCE)

  Svitlana Mezinа

  156-161

  • PDF (Українська)

• VISUAL CULTURE AND EVERYDAY LIFE OF POSTMODERN

  Olena Pavlova

  30-35

  • PDF (Українська)

• SOCIAL CULTURAL VIEWS OF V.P. FILATOV, ACADEMICIAN IN THE LIGHT OF UNKNOWN DOCUMENTS OF THE STATE DEFENCE BODIES (THE 140-TH ANNIVERSARY OF THE SCIENTIST’S BIRTH)

  Dmytro Vedeneev, Vyacheslav Vedeneev

  9-15

  • PDF (Українська)

• SOUND AND SOUND EQUIPMENT

  Vasyl Vovkun

  42-45

  • PDF (Українська)

• THE PERFORMING CULTURE IN THE MODERN UKRAINIAN ART RESEARCHES

  Tetyana Zhukovska

  141-146

  • PDF (Українська)

• GRAPHIC DESIGN AS MEANS OF ARTISTIC-COMMUNICATIVE SYSTEM

  Elena Zalevskaya

  146-150

  • PDF (Українська)

• GLOBALIZATION AS A FACTOR IN THE FORMATION OF MODERN CULTURAL SPACE UKRAINE

  Valentin Klochko

  23-29

  • PDF (Українська)

• DICTIONARY OF SPECIALIZED TERMINOLOGY FOR ART-EXAMINATION OF SEVRES PORCELAIN XVIII – THE BEGINNING OF THE XIX CENTURY

  Iasmina Kryvushenko

  151-155

  • PDF (Українська)

• "FOCUS-FIELD" AS A PATTERN OF HUMAN MODEL FORMATION IN TAOIST AND CONFUCIAN CULTURE

  Dmytro Malezhyk, Hleb Khomenko

  56-60

  • PDF (Українська)

• THE ETHNO-NATIONAL TRADITIONS IN THE FOOD CULTURE OF THE UKRAINIAN IN THE XVIITH – XIXTH CENTURIES

  Alyona Poplavsjka

  71-75

  • PDF (Українська)

• THE SOCIAL GENESIS OF MENTAL DISORDERS AND MECHANISMS OF COMPENSATION IN CULTURE

  Olena Popovych

  60-65

  • PDF (Українська)

• THE SOUND-IMAGE IN FOCUS OF THE SONOLOGICAL METHOD OF MUSICAL CULTURE RESEARCH

  Natalia Riabukha

  8-106

  • PDF (Українська)

• THE PIANO CYCLE "THE TALE OF MALCHISH-KIBALCHISH" BY I. SHAMO IN THE CONTEXT OF DEVELOPMENT OF UKRAINIAN MUSIC IN A SOCIALIST REALIST CULTURE

  Olga Sukhoverska

  162-166

  • PDF (Українська)

• FINE ART AND POSSIBILITIES OF THE NEW TECHNOLOGIES

  Alexander Tsugorka

  111-118

  • PDF (Українська)

• "CULTURE AND CREATIVITY SYNTHESIS" IN MUSIC ART REALITIES AT THE TURN OF XIX – XX CENTURIES (BASED ON THE EXAMPLES OF CHOIR COMPOSITIONS BY S. TANIEYEV)

  Natalia Shvets

  125-130

  • PDF (Українська)

• THE LIFE AND WORK OF NIKOLAI FREDERIK SEVERIN GRUNDTVIG – DANISH ENLIGHTENER OF WORLD LEVEL

  Nataliya Shuhaliy

  75-80

  • PDF (Українська)

• FORMING SOURCES AND PECULIARITIES OF INTERPRETATION OF OLD SUITE FOR TWO-CLAVIER DUO

  Yuri Scherbakov

  131-136

  • PDF (Українська)