No. 39 (2021): МИСТЕЦТВОЗНАВЧІ ЗАПИСКИ

Published: 2021-09-01

Образотворче мистецтво, декоративне мистецтво, реставрація

Segmentation of art market in the fine art’ marketing

Dmytro Akimov

27-31
- PDF (Українська)
Historical context and current trends in the jewelry art of Ukraine

Anastasiіa Varyvonchyk , Oleksandr Tsugorka , Bogdan Mazur

32-36
- PDF (Українська)
Metaphysics of postmodern figurative art in Ukrainian art of the late XX - early XXI century

Tatiana Mironova

37-42
- PDF (Українська)
Indicators of acidity and methods of its neutralization during preventive conservation and restoration of architectural graphics

Maria Borysenko

43-46
- PDF (Українська)
Features of the reconstruction of the lost elements in the museum practice on silver items

Savva Mostovy

47-52
- PDF (Українська)

Хореографія

Problems of cliche in the context of creativity of choreographer-director of modern dance

Olga Bigus

53-58
- PDF (Українська)
Development of plastic abilities of children-autistics by means of modern-dance in the conditions of modern cultural and artistic practices

Oksana Gavelya , Tamara Drach

59-63
- PDF (Українська)
Ballroom dance in the education system: past and present

Nadiiya Gorbatov, Nadiiya Gorbatov

64-69
- PDF (Українська)
Aesthetic reflection of the labor process of production in the art of folk stage choreography of Ukraine

Viktor Lytvynenko

70-74
- PDF (Українська)
Creativity of teachers-choreographers of the Terebovlyan Cultural Education School of Anatolii and Oleksandra Polishchuk

Andrii Pidlypskyi

75-81
- PDF (Українська)

Музичне мистецтво

Piano video-entailments of postavanguard - on example creative activity to V.Silvestrov and his contemporary in practice of estrade-philharmonic presentation

Оlexander Yakovlev , Daria Androsova

82-87
- PDF (Українська)
Creation of musical pieces At GUITAR PRO 6 (Part 2)

Valery Kozlin , Valentina Grishenko

88-96
- PDF (Українська)
Creative activity by G. Kkunkin in the context of the development of the military brass band’s culture of the Chernihiv region

Oleg Badalov

97-100
- PDF (Українська)
Intermediality and problems of interpretation of the vocal cycle "The Short Straw" of Francis Poulenc

Iryna Vezhnevets

101-106
- PDF (Українська)
Communication in the music: the interaction between the author’s text and interpretation in the Baroque clavier music

Olena Zhukova

107-112
- PDF (Українська)
Universal skill of saxophonist as phenomenon modern of musical-creative practice

Mihail Krupej

113-118
- PDF (Українська)
Competitions of performing skills in the conditions of distance carrying out (experience 2020 - the beginning of 2021)

Eugen Kuryshev

119-123
- PDF (Українська)
Principles of microphone sound recording in the context of the creative direction of sound recording

Viacheslav Ovsiannikov

124-129
- PDF (Українська)
Intonation image of the home area in «Reminiscences» chamber symphony by V. Telychko

Tetiana Rosul

130-134
- PDF (Українська)
The contribution of A. Pashkevych into the development of Volyn state folk choir in 1978 – 1989

Ihor Stepaniuk

135-140
- PDF (Українська)
Pedagogical narratives of choral conductor L. M. Venediktov

Victor Stepurko

141-144
- PDF (Українська)
Cultural and historical preconditions for the formation and development of piano art in Rivne region

Natalia Tsiuliupa , Diana Serhiichuk

145-148
- PDF (Українська)
Sonata for violin and piano as a Serafim Orfeyev’s creative views

Olga Shcherbakova

149-153
- PDF (Українська)
Ukrainian vocal music of the 20th – early 21st century in the pedagogical repertoire of the soloist-vocalist

Femiy Mustafayev

154-159
- PDF (Українська)
Сhoir conductor Mykola Hobdych: the facets of a creative personality

Olena Zalevska

160-166
- PDF (Українська)
Evolution of musical means in piano "symphonies" by S.Yarunsky

Veronika Kamenska

167-172
- PDF (Українська)
The activity of singer Zoja Ghajdaj as a member of the jury of vocal competitions

Olena Katsalap

173-178
- PDF (Українська)
Classical crossover in the modern musical space of Ukraine

Svitlana Muravitska

179-183
- PDF (Українська)
Jazz instrumental music of the second half of the XX – the beginning of the XXI century: expressional, style and culturological aspects

Oleksandr Kostenov

184-189
- PDF (Українська)
Arrangement and transcriptions in creations by Alexander Siloty at the mention of traditions for musical and redactional practice at the end of XIXth – the first part of the XXth centuries

Mariya Kulish

190-195
- PDF (Українська)
Chamber vocal works by Ivan Karabyts in the Ukrainian musicological discourse

Viktoriia Kushch

196-201
- PDF (Українська)
Specifics of Production Activity in terms of Soviet Chronotope

Igor Likhuta

202-209
- PDF (Українська)
Sacred foundations of A. Scriabin's fret system in relation to O. Messian's modality

Tetiana Motorna

210-214
- PDF (Українська)
Retrospective of Competition and Festival Events and the Emergence of the Musical Olympic Movement in Ukraine in the 20s of the XX century

Anna Rosenko

215-218
- PDF (Українська)
The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)

Maryna Rossikhina

219-225
- PDF (Українська)
Style trends of modern vocal performance

Yang Feiyu

226-230
- PDF (Українська)

Дизайн

Regional originality of development of design-educational centers

Inna Yakovets , Oleksandr Luhovskyi

3-9
- PDF (Українська)
Quotation of works and using artistic techniques of representatives of the artistic direction of pop art in clothing design of the late XX - early XXI century

Kateryna Kyselova

10-15
- PDF (Українська)
The semantics of the traditional women's headscarf as a source of modern design innovations

Olena Ivanenko

16-21
- PDF (Українська)
Aidentyka as a definition of a complex system–conceptual model of identification in the architecture of design

Tetyana Mikhailova

22-26
- PDF (Українська)

Сценічне мистецтво

The artistic dimensions of Semuel Franklin Cody’s show activity

Olena Khlystun

231-234
- PDF (Українська)
Gordon Craig`s "über-marionette" concept as an expressive means of a puppet theatre

Olga Buchma

235-238
- PDF (Українська)
Variety turn as the basis of an eductional concert

Mykola Krypchuk

239-244
- PDF (Українська)
Directing of the contemporary French avant-garde theater Nanter-Amandier: stylistic and conceptual innovations

Maryna Tatarenko

245-250
- PDF (Українська)
Ukrainianization of national opera theater

Kateryna Vasylenko

251-255
- PDF (Українська)
Stage creativity of Bogdan Stupka: features of the techniques and methods of his acting skills

Nina Gusakova , Taisiya Khvostova

256-260
- PDF (Українська)
Innovation of the director's vocabulario of Oskaras Korshunovas

Iryna Ivashchenko , Victoriya Strelchuk

261-266
- PDF (Українська)
Actress training by Michael Saint-Denis: improvisation in a mask

Valeria Shtefyuk

267-274
- PDF (Українська)