Skip to main content
Skip to main navigation menu
Skip to site footer
Open Menu
Current
Archives
About
About the Journal
Submissions
Editorial Team
Privacy Statement
Contact
Search
Search
Login
Search
Search
Home
/
Archives
/
No. 39 (2021): МИСТЕЦТВОЗНАВЧІ ЗАПИСКИ
No. 39 (2021): МИСТЕЦТВОЗНАВЧІ ЗАПИСКИ
Published:
2021-09-01
Образотворче мистецтво, декоративне мистецтво, реставрація
Segmentation of art market in the fine art’ marketing
Dmytro Akimov
27-31
PDF (Українська)
Historical context and current trends in the jewelry art of Ukraine
Anastasiіa Varyvonchyk , Oleksandr Tsugorka , Bogdan Mazur
32-36
PDF (Українська)
Metaphysics of postmodern figurative art in Ukrainian art of the late XX - early XXI century
Tatiana Mironova
37-42
PDF (Українська)
Indicators of acidity and methods of its neutralization during preventive conservation and restoration of architectural graphics
Maria Borysenko
43-46
PDF (Українська)
Features of the reconstruction of the lost elements in the museum practice on silver items
Savva Mostovy
47-52
PDF (Українська)
Хореографія
Problems of cliche in the context of creativity of choreographer-director of modern dance
Olga Bigus
53-58
PDF (Українська)
Development of plastic abilities of children-autistics by means of modern-dance in the conditions of modern cultural and artistic practices
Oksana Gavelya , Tamara Drach
59-63
PDF (Українська)
Ballroom dance in the education system: past and present
Nadiiya Gorbatov, Nadiiya Gorbatov
64-69
PDF (Українська)
Aesthetic reflection of the labor process of production in the art of folk stage choreography of Ukraine
Viktor Lytvynenko
70-74
PDF (Українська)
Creativity of teachers-choreographers of the Terebovlyan Cultural Education School of Anatolii and Oleksandra Polishchuk
Andrii Pidlypskyi
75-81
PDF (Українська)
Музичне мистецтво
Piano video-entailments of postavanguard - on example creative activity to V.Silvestrov and his contemporary in practice of estrade-philharmonic presentation
Оlexander Yakovlev , Daria Androsova
82-87
PDF (Українська)
Creation of musical pieces At GUITAR PRO 6 (Part 2)
Valery Kozlin , Valentina Grishenko
88-96
PDF (Українська)
Creative activity by G. Kkunkin in the context of the development of the military brass band’s culture of the Chernihiv region
Oleg Badalov
97-100
PDF (Українська)
Intermediality and problems of interpretation of the vocal cycle "The Short Straw" of Francis Poulenc
Iryna Vezhnevets
101-106
PDF (Українська)
Communication in the music: the interaction between the author’s text and interpretation in the Baroque clavier music
Olena Zhukova
107-112
PDF (Українська)
Universal skill of saxophonist as phenomenon modern of musical-creative practice
Mihail Krupej
113-118
PDF (Українська)
Competitions of performing skills in the conditions of distance carrying out (experience 2020 - the beginning of 2021)
Eugen Kuryshev
119-123
PDF (Українська)
Principles of microphone sound recording in the context of the creative direction of sound recording
Viacheslav Ovsiannikov
124-129
PDF (Українська)
Intonation image of the home area in «Reminiscences» chamber symphony by V. Telychko
Tetiana Rosul
130-134
PDF (Українська)
The contribution of A. Pashkevych into the development of Volyn state folk choir in 1978 – 1989
Ihor Stepaniuk
135-140
PDF (Українська)
Pedagogical narratives of choral conductor L. M. Venediktov
Victor Stepurko
141-144
PDF (Українська)
Cultural and historical preconditions for the formation and development of piano art in Rivne region
Natalia Tsiuliupa , Diana Serhiichuk
145-148
PDF (Українська)
Sonata for violin and piano as a Serafim Orfeyev’s creative views
Olga Shcherbakova
149-153
PDF (Українська)
Ukrainian vocal music of the 20th – early 21st century in the pedagogical repertoire of the soloist-vocalist
Femiy Mustafayev
154-159
PDF (Українська)
Сhoir conductor Mykola Hobdych: the facets of a creative personality
Olena Zalevska
160-166
PDF (Українська)
Evolution of musical means in piano "symphonies" by S.Yarunsky
Veronika Kamenska
167-172
PDF (Українська)
The activity of singer Zoja Ghajdaj as a member of the jury of vocal competitions
Olena Katsalap
173-178
PDF (Українська)
Classical crossover in the modern musical space of Ukraine
Svitlana Muravitska
179-183
PDF (Українська)
Jazz instrumental music of the second half of the XX – the beginning of the XXI century: expressional, style and culturological aspects
Oleksandr Kostenov
184-189
PDF (Українська)
Arrangement and transcriptions in creations by Alexander Siloty at the mention of traditions for musical and redactional practice at the end of XIXth – the first part of the XXth centuries
Mariya Kulish
190-195
PDF (Українська)
Chamber vocal works by Ivan Karabyts in the Ukrainian musicological discourse
Viktoriia Kushch
196-201
PDF (Українська)
Specifics of Production Activity in terms of Soviet Chronotope
Igor Likhuta
202-209
PDF (Українська)
Sacred foundations of A. Scriabin's fret system in relation to O. Messian's modality
Tetiana Motorna
210-214
PDF (Українська)
Retrospective of Competition and Festival Events and the Emergence of the Musical Olympic Movement in Ukraine in the 20s of the XX century
Anna Rosenko
215-218
PDF (Українська)
The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)
Maryna Rossikhina
219-225
PDF (Українська)
Style trends of modern vocal performance
Yang Feiyu
226-230
PDF (Українська)
Дизайн
Regional originality of development of design-educational centers
Inna Yakovets , Oleksandr Luhovskyi
3-9
PDF (Українська)
Quotation of works and using artistic techniques of representatives of the artistic direction of pop art in clothing design of the late XX - early XXI century
Kateryna Kyselova
10-15
PDF (Українська)
The semantics of the traditional women's headscarf as a source of modern design innovations
Olena Ivanenko
16-21
PDF (Українська)
Aidentyka as a definition of a complex system–conceptual model of identification in the architecture of design
Tetyana Mikhailova
22-26
PDF (Українська)
Сценічне мистецтво
The artistic dimensions of Semuel Franklin Cody’s show activity
Olena Khlystun
231-234
PDF (Українська)
Gordon Craig`s "über-marionette" concept as an expressive means of a puppet theatre
Olga Buchma
235-238
PDF (Українська)
Variety turn as the basis of an eductional concert
Mykola Krypchuk
239-244
PDF (Українська)
Directing of the contemporary French avant-garde theater Nanter-Amandier: stylistic and conceptual innovations
Maryna Tatarenko
245-250
PDF (Українська)
Ukrainianization of national opera theater
Kateryna Vasylenko
251-255
PDF (Українська)
Stage creativity of Bogdan Stupka: features of the techniques and methods of his acting skills
Nina Gusakova , Taisiya Khvostova
256-260
PDF (Українська)
Innovation of the director's vocabulario of Oskaras Korshunovas
Iryna Ivashchenko , Victoriya Strelchuk
261-266
PDF (Українська)
Actress training by Michael Saint-Denis: improvisation in a mask
Valeria Shtefyuk
267-274
PDF (Українська)
Developed By
Open Journal Systems
Language
English
Українська
Information
For Readers
For Authors
For Librarians