Vol. 32 (2017): Мистецтвознавчі записки

Статті

• Culture of Turkmenistan in the system of intercultural interactions

  Nurberdy Amanmuradov

  3-12

  • PDF (Українська)

• Theatrical culture of Zaporizhzhya region: ways of formation (the Soviet period)

  Olexandr Antonenko

  160-169

  • PDF (Українська)

• ЛАРИСА РОГОВЕЦЬ ЯК ПРОВІДНИЙ ДІЯЧ ВОКАЛЬНОЇ КУЛЬТУРИ ЧЕРНІГІВЩИНИ (до 55-річчя від дня народження)

  Oleg Badalov

  252-261

  • PDF (Українська)

• The image of the griffin in Galician medieval art

  Olena Bilyk

  67-76

  • PDF (Українська)

• The art as an indispensable component of the reality exploration process by a human

  Serhii Bondarenko

  170-176

  • PDF (Українська)

• The role of landscape painting of french romantic painters

  Nataliia Vasylyshyna

  77-84

  • PDF (Українська)

• Phenomenon of tradition in watercolor through the esthetic of music

  Nataliia Veligura

  85-93

  • PDF (Українська)

• The synthesis of dynamic Christian components of national style in "Liturgy of John Chrysostom" by Eugeniy Stankovych

  Iryna Gɚrkɚva

  325-333

  • PDF (Українська)

• Dresden Orchestra of J.A.Hasse (to the issue of composition and types of instrumental writing)

  Vadim Horbal

  262-271

  • PDF (Українська)

• The musical art of Armenians in the Ukrainian cultural space

  Kateryna Dannyk

  355-363

  • PDF (Українська)

• Linguistic communicative game as a means of expression of value dominant in the postfolcore texts

  Zhanna Denysyuk

  13-22

  • PDF (Українська)

• Specific of the vocal educating theatrical actors in the higher art-schools

  Olekh Dzyuba

  334-343

  • PDF (Українська)

• Transformation of the audio-visual parameters of the stage space in the artistic activities of the Academic Chamber Choir “Khreschatyk”

  Oksana Dondyk

  344-354

  • PDF (Українська)

• Ukrainian theater organizational problems of the second half of the 80-ies of the XX century

  Roman Yesypenko

  143-150

  • PDF (Українська)

• Analysis of the structure of salon paired dance on the frontier of xix-xx centuries (on the example of «ballroom» group)

  Svetlana Efanova

  177-186

  • PDF (Українська)

• Some tendencies of Ukrainian theatrical art of the beginning of the XXI century

  Irina Zaitseva

  187-196

  • PDF (Українська)

• Features of sewing the variety of Ukrainian national embroidery

  Maria Zalevska

  94-100

  • PDF (Українська)

• Creative features of activities of the Poltava Regional Academic Ukrainian Gogol Theatre of Musical Drama (1936-1950)

  Yuriy Zlobin

  197-205

  • PDF (Українська)

• Non-European motives in the guitar music of Roland Dyens: «Tunis, Tunisie», «Trois saudades»

  Tymur Ivannikov

  272-285

  • PDF (Русский)

• Stylistic features of ballet performances of the second half of the twentieth century on the examples of Valery Kovtun's art

  Viktoria Kondratiuk

  206-212

  • PDF (Українська)

• Debating points of Ukrainian theater studies of the late 19th - early 20th century

  Anastasiia Korzhova

  213-222

  • PDF (Українська)

• Problems of the formation of the culturological component of professional training of future workers in the field of arts

  Elena Kosinova

  223-230

  • PDF (Українська)

• Musical Chapels of the Volyn Voivodes and Marshales in the Early Modern Period

  Ivan Kuzminsky

  286-293

  • PDF (Українська)

• Numismatic contest "The best coin of the year " as an effective means of national bank of Ukraine branding

  Marya Ladonenko

  101-107

  • PDF (Українська)

• Archetypes of female roles in P. Tchaikovsky's operas (in triad «Evgeny Onegin» - «Queen of Spades» - «Iolanta»)

  Antonina Lisohorska

  364-371

  • PDF (Українська)

• The Genre-thematic range of paintings by Vasily Zabashty

  Yaroslav Loginskiy

  108-115

  • PDF (Українська)

• Gertruda Troyanova’s school of Bel canto and her performing and teaching activities

  Olena Loshmanova

  372-381

  • PDF (Українська)

• Gender image of the piano

  Fan Lu

  382-390

  • PDF (Українська)

• The golden cross-section phenomenon in the processing and arrangements of Stanislav Pavlyuchenko

  Olexandr Magalis

  391-398

  • PDF (Українська)

• Psychological and pedagogical aspects of the preparation of the instrumentalists for creative activities

  Herold Martseniuk

  294-303

  • PDF (Українська)

• The pedagogical and creative heritage by Mania Eduardivna Donets-Tesseir - arts and cultural phenomena on the Kyiv vocal school

  Olesia Neboha

  399-404

  • PDF (Українська)

• Professional responsibility of lecturer in terms of the working with music text

  Nataliia Nesterenko

  405-412

  • PDF (Українська)

• Executive vibrato as a method of pitch correction on the string-bowed instruments

  Oksana Ovdeychuk

  413-422

  • PDF (Українська)

• Creative activity of Nikolay Samokish in the context of cultural and artistic life of Poltava and Kharkov region of the late XIX - early XX centuries

  Olga Petrenko

  116-124

  • PDF (Українська)

• Ethnocultural mentality and spiritual culture of the Cossacks in the context of the Ukrainian baroque

  Viktoriia Pishchanska

  23-30

  • PDF (Українська)

• Technological features of screen painting concerning a creation of a single-frame movie

  Alexandr Pryadko, Yuri Garmash

  51-59

  • PDF (Українська)

• Children's opera: the historiography of the question

  Daria Romanets

  423-432

  • PDF (Українська)

• Regional centers of Folk Art as formers of ideas and constructive actions in preserving Ukrainian traditions

  Zhanna Rumko

  31-40

  • PDF (Українська)

• Monumental decorative artworks in the interior design of Kiev’s hotels (The problem of artistic monuments of the 1960-1980 years conservation)

  Olena Smolyar

  125-133

  • PDF (Українська)

• Sound Installation in The Space of Street Art

  Kateryna Stanislavska

  151-159

  • PDF (Українська)

• The current state of the storage of folklore music heritage of Ukraine (1991-2017 years)

  Andriy Furdichko

  304-315

  • PDF (Українська)

• Formation of the cultural space of Ukraine in the conditions of independence

  Igor Hlebosolov

  41-50

  • PDF (Українська)

• The Problem of the Tradition in Piano Works of M. Metner: the case of “Sonataremembering” from the “Forgotten motives” cycle

  Nataliia Shvets

  316-324

  • PDF (Русский)

• The Problem of the libretto’s translation in the modern musical theatre

  Lada Shylenko

  433-439

  • PDF (Українська)

• Formation of Julia Segal art style in the 1970s

  Kateryna Shcherbakova

  134-142

  • PDF (Українська)

• Ornamentation of ceramics and Easter eggs in the Poltava government of the XIX century: a comparative characteristic

  Anatoliy Shcherban

  60-66

  • PDF (Українська)

• Chinese avant-garde theater: to the definition of the concept

  Yan Chao

  241-251

  • PDF (Українська)

• Features of choreography culture of Latin American countries - Venezuela and Columbia

  Olga Yatsenko

  231-240

  • PDF (Українська)