No. 1 (2016)

Articles

• IDEOLOGICAL FOUNDATIONS OF INFORMAL EDUCATION AS A REALISATION OF PRINCIPLES OF INNOVATIVE CULTURE

  Kateryna Kyrylenko

  • PDF (Українська)

• VIRTUAL MASS CULTURE AS AN IMAGINARY IDENTITIES CONSTRUCTION FIELD

  Zhanna Z. Denysyuk

  • PDF (Українська)

• THE FORMATION OF NATIONAL CULTURAL SPACE AS THE SPIRITUAL FOUNDATION OF UKRAINIAN STATEHOOD

  Olena A. Domanska

  • PDF (Українська)

• THE CULTURAL CAPITAL AS A COMPONENT OF MODERN STATE

  Olha R. Kopiyevska

  • PDF (Українська)

• SLAVIC CYRILLIC MANUSCRIPT HERITAGE IS A MODEL OF NON-MATERIAL CULTURE OF UKRAINE

  Liliia V. Tereshchenko-Kaidan

  • PDF (Українська)

• TRANSFORMATION OF CULTURAL ENVIRONMENT IN THE CONTEXT OF DEVELOPMENT OF INFORMATION TECHNOLOGY

  Yulia V. Trach

  • PDF (Українська)

• SYNERGETIC DISCOURSE OF CULTUROLOGICAL CREATIVE PROCESSES IN MODERN UKRAINE

  Alexander V. Yakovlev

  • PDF (Українська)

• CULTURAL ASPECT OF MODERN UKRAINIAN SONG AND ITS LANGUAGE

  Aliona Vlasova

  • PDF (Українська)

• POLEMIC THOUGHTS OF MYKOLA VORONYI ABOUT CRISIS OF A NOVICE NON-SPIRITUAL IDEOLOGY OF EUROPEAN ARTS IN XIX – XX

  Lyudmyla O. Hurenko

  • PDF (Українська)

• LEMKO FOLK CLOTHING AS A SEMIOTIC SYSTEM

  Liudmyla I. Dmytruk

  • PDF (Українська)

• THE FORMATION FACTORS OF FEDIR STRYGUN’S CREATIVE VOCATION

  Tetiana R. Osadchuk

  • PDF (Українська)

• NEOCLASSICISM IN MUSIC PERFORMANCE

  Mariia O. Riabokoneva

  • PDF (Українська)

• LIGHT AND DARKNESS AS DEMONSTRATORS OF ETHICAL VALUES IN THE NEW TESTAMENT

  Maryna O. Chumachenko

  • PDF (Українська)

• METHODOLOGICAL PROBLEMS OF THE CODE AND "DOUBLE CODING" ANALYSIS IN THE CONTEXT OF SEMIOTICS, STRUCTURALISM AND POST- STRUCTURALISM

  Olena S. Aphonina

  • PDF (Українська)

• PSALTER SONGS IN THE UKRAINIAN SACRED SONG TRADITION OF THE XVIITH – THE BEGINNING OF THE XXIST CENTURY

  Olga L. Zosim

  • PDF (Українська)

• SUBSTANTIAL FEATURES OF TRYPILLIAN ART CULTURE: HISTORY OF RESEARCH

  Nina V. Koliadenko

  • PDF (Українська)

• MINIMAL MUSIC: BETWEEN THE EAST AND THE WEST

  Olena Sierova

  • PDF (Українська)

• V. VASILKO DIRECTOR'S INTERPRETATION OF G. KVITKA-OSNOVJANENKO’S PLAY "SHELMENKO-DENSCHIK"

  Maryna G. Tatarenko

  • PDF (Українська)

• CHARACTERISTIC FEATURES OF STYLE WORLD MUSIC THROUGH THE PRISM OF THE BAND "DAKHABRAKHA"

  Veronika M. Tormakhova

  • PDF (Українська)

• ON THE ISSUE OF FOLK MANNER OF SINGING IN CONTEMPORARY CULTURE IN UKRAINE

  Natalia P. Tsiupa

  • PDF (Українська)

• THE IMPORTANCE OF MUSIC AND ITS INFLUENCE ON HUMAN CONSCIOUSNESS

  Valentina O. Baranova, Alla V. Kopitova

  • PDF (Українська)

• WORKSHOP OF ARTISTIC EXPRESSION: THE SUBTEXT SEARCH IN THE AUTHOR'S TEXT

  Nadiya V. Grytsan

  • PDF (Українська)

• GENRE AND STYLISTIC ASPECTS OF THE "IBERIA" BY I. ALBENIZ AND "GOYESCAS" BY E. GRANADOS IN LINE OF THE HISTORICAL AND MUSICAL TRADITION OF RENASIMENTO

  Natalia V. Zayaz

  • PDF (Русский)

• CONSERVATION AUTHENTICITY IN CHOREOGRAPHY SETTING MARIA LYASHKEVYCH AND FEDOR DANYLYAK

  Olga Kvetsko

  • PDF (Українська)

• ARTISTIC FEATURES OF SYMBOLISM OF UKRAINIAN ART AND ICONOGRAPHY

  Irina L. Golub

  • PDF (Українська)

• LVIV ART HISTORY IN THE PERIOD OF SOVIET TOTALITARISM

  Iryna Matolich

  • PDF (Українська)

• THE ARCHETYPE OF TEACHERS IN BIOGRAPHY OF THE HOLDER OF THE LIFE WAY OF PEOPLE'S ARTIST OF THE USSR M.VODYANOY

  Anna O. Nikolaeva

  • Без заголовку (Українська)

• GENESIS OF THEORETICAL RESEARCHES OF BANDURA EXECUTIONS

  Lesya O. Pavlenko

  • PDF (Українська)

• Martha Graham’s art in the context of modern European dance

  Iryna Herts

  • PDF (Українська)