No. 3 (2016)

Articles

• ART AS AN IDEA

  Nina Ivanovska

  • PDF

• Art of the Crimean khanate in logic of the interval analysis

  Meryem Idrisova

  • PDF (Русский)

• PUBLIC ACTIVITIES OF PETRO SOKALSKYI (TO THE 185th ANNIVERSARY OF THE BIRTH AND THE 130th ANNIVERSARY OF THE DEATH)

  Olena Izvarina

  • PDF

• Code and cultural and historical tradition of "double coding" in folklore

  Olena Aphonina

  • PDF (Українська)

• RITUAL INCENTIVES FOR THE FORMATION OF GENRE TYPOLOGIES (THROUGH THE EXAMPLE OF К.SZYMANOWSKI’S ETUDES)

  Galina Volkova

  • PDF

• Some features of genre palette and means of expression in the contemporary compositions for wind instruments (through the example of Dnepropetrovsk composers’ works)

  Valeriy Hromchenko

  • PDF (Українська)

• The representation of post-folklore in the internet space: the typology of genres

  Zhanna Denysyuk

  • PDF (Українська)

• The abstract signs in geometric ornamentation of Ukrainian Pysanky

  Antonina Dubrivna

  • PDF (Українська)

• THE SPІRІT OF MUSІС ІN HАRMONУ OF THE WORLD АS THE VАLUE OF СІVІLІZАTІON

  Tetіаnа Kаblovа, Leonid Timoshenko

  • PDF

• OLEKSANDR KOSHYTSYA CHORAL CONDUCTING SCHOOL AS A SOCIOCULTURAL PHENOMENON

  Hannа Karas

  • PDF

• UKRAINIAN HISTORIOGRAPHY OF MUSEUM SOCIOLOGY

  Victor Karpov

  • PDF

• INNOVATION MODEL OF MODERN VOCATIONAL MUSIC EDUCATION

  Petro Krul

  • PDF

• GERMANY – UKRAINE: SOCIO-CULTURAL APPROACH TO THE ENVIRONMENTAL PUBLIC ADVERTISING

  Olena Novikova, Svitlana Pryshchenko

  • Без заголовку (Українська)

• The texture-composite organization as a dominant character of piano style of V. Bibik (through the example of fortepiano sonata genre)

  Yuriy Novikov

  • PDF (Українська)

• Methodological basis of the productive scientific school of Ivan Kotlyarevsky

  Elena Roschenko

  • PDF (Русский)

• Pianist performing thesaurus: the method of analysis

  Igor Riabov

  • PDF (Українська)

• THEATRICAL ENTERPRISE AS A PHENOMENON OF THE MODERN BELARUSIAN ART: CHARACTERISTICS, ORIGINS, PERIODS

  Anna Stelmakh

  • PDF

• THE EARLY MUZIO CLEMENTI’S SONATAS: AT THE ORIGINS OF LONDON PIANISM

  Olesia Stepanova

  • PDF

• Ballet "Princess Olga" and folk opera "While a fern is blooming" E. Stankovich on stage of the Dnipropetrovsk academic theatre of opera and ballet

  Andrey Tulyantsev

  • PDF (Українська)

• Specific features of the composer’s interpretations in the trilogy of Shan Dei’s vocal ballads after Lu Sin’s prose

  Khe Tsao

  • PDF (Русский)

• THE CONCEPT OF POLITENESS AND THE PRONOMINAL FORMS OF TREATMENT AS ITS VERBAL REPRESENTATION IN SPANISH

  Liudmylа Shevchenko

  • PDF

• Ukrainian amateur theatre of Eastern Galicia at the end of XIX – the beginning of XX centuries

  Irina Yan

  • PDF (Українська)