Vol. 33 (2018): Мистецтвознавчі записки

Статті

• AXIOLOGICAL ASPECTS OF PROCESSES OF CULTIVATION IN TURKMENISTAN

  Nurberdy Amanmuradov

  11-17

  • PDF (Українська)

• GLOBALIZATION CULTURAL PROCESSES AND THEIR EFFECT ON THE FUNCTIONAL APPOINTMENT OF NATIONAL CULTURE

  Viktor Babkin

  55-62

  • PDF (Українська)

• FORMATION OF THE CULTURE OF ORCHESTRAL PERFORMANCE ON FOLK INSTRUMENTS: THE EXPERIENCE OF GLINKA DNIPROPETROVSK ACADEMY OF MUSIC

  Nataliya Bashmakova, Victoria Kikas, Yuriy Fedotov

  390-397

  • PDF (Українська)

• SCULPTURE AND PLASTIC ARTS OF SMALL FORMS IN MUSEUM EXPOSITION

  Batalkina Valentyna

  117-126

  • PDF (Українська)

• CHINESE POP AND VOCAL ART OF THE BEGINNING OF THE THIRD MILLENNIUM

  Anna Boiko

  449-456

  • PDF (Українська)

• OPERA I. DZERZHINSKY «QUIET DON» IN THE SCENARIO OF D.M. GNATYUK

  Viktor Bondarchuk

  398-406

  • PDF (Українська)

• BANDURA REPERTOIRE AS A FACTOR IN THE DEVELOPMENT OF CONCERT PERFORMANCES

  Natalia Chabanenko

  522-528

  • PDF (Українська)

• INSTALLATION PROJECTS IN UKRAINE: ORIGINS, IDEAS, PERSONALITIES

  Daria Chemberzhi

  167-175

  • PDF (Українська)

• THE IMAGE OF CHIO-CHIO-SAN IN OPERA GIACOMO PUCCINI «MADAME BUTTERFLY»

  Shan Chen

  482-487

  • PDF (Русский)

• PRESENTATION OF PETRYKIVKA PAINTING IN EXHIBITION WORKS AND MASS CHARACTER WORKS IN THE CONTEMPORARY CULTURAL ENVIRONMENT

  Anastasiia Chudnivets

  176-183

  • PDF (Українська)

• THE HUTSUL THEME AND FOLKLORE IN MYKOLA KOLESSA MUSIC ART

  Viktoriia Danylets

  375-381

  • PDF (Українська)

• SPIRITUAL AND CREATIVE COMPONENT OF GUITAR PERFORMING TECHNOLOGY

  Elena Drozdova

  457-464

  • PDF (Русский)

• СURRENT HOREOGRAPHIC EDUCATION IN UK HIGHER EDUCATIONAL STAFF

  Nadezhda Gorbatova

  184-191

  • PDF (Українська)

• MAIN DIRECTIONS IN THE ACTIVITY OF YOUNG BALLET MASTERS - UKRAINIAN FOLK-STAGE DANCE PERFORMERS

  Iryna Gutnyk

  201-208

  • PDF (Українська)

• URBANIZATION IN DESIGN

  Yevhen Hula, Valentina Bystryakova, Alla Osadcha

  127-134

  • PDF (Українська)

• THE FEATURES OF MUSICAL INTERPRETATION OF PSALM’S TEXT IN TWO CONCERTOS «TILL WHEN, O LORD, WILL YOU FORGET ME» AND THE PROBLEM OF AN AUTHORSHIP

  Tetjana Husarchuk

  192-200

  • PDF (Українська)

• FEATURES OF THE AMERICAN STYLE BALLROOM DANCE PERFORMANCE

  Miroslav Keba

  306-313

  • PDF (Українська)

• INTERPENETRATION OF UKRAINIAN AND THE EUROPEAN CHOREOGRAPHIC ART IN THE PERIOD OF INDEPENDENCE OF OUR COUNTRY

  Liudmyla Khotsianovska

  368-374

  • PDF (Українська)

• UKRAINIAN FOLK SONGS FOR THREE VIOLINS ADAPTED BY BORYS KUDRYK AS AN AESTHETICS ATTRIBUTE OF BIEDERMEIER

  Iryna Klymbus

  465-473

  • PDF (Українська)

• ARTISTIC IMAGERY AND SYMBOLISM OF WOMEN'S PARTIES IN THE BALLET OF THE UKRAINIAN THEME OF THE MIDDLE OF THE 20TH CENTURY

  Anastasiia Korol

  314-320

  • PDF (Українська)

• THE CULTURE OF MANAGEMENT OF THE EARLY MIDDLE AGES

  Elena Kovalenko

  18-28

  • PDF (Українська)

• MACROCYCLES AS THE LOCUS OF INTERTEXTUAL SENSE FORMATION (ON THE MATERIALS OF THE ENSEMBLE CREATIVITY OF UKRAINE OF THE LAST THIRD OF THE XX – EARLY XXI CENTURIES)

  Anastasia Kravchenko

  413-420

  • PDF (Українська)

• NEW DOCUMENTS ON THE HISTORY OF THEATRICAL AND MUSICAL ARTS OF VOLHYNIA (END OF THE 16TH – THE BEGINNING OF THE 17TH CENTURIES)

  Ivan Kuzminsky, Mykhaylo Dovbyshchenko

  209-215

  • PDF (Українська)

• FORMATION OF ANIMATION AS THE DIRECTION OF TOURIST LEISURE

  Serhii Kylymystyi

  47-54

  • PDF (Українська)

• «MASS SONG» IN THE CULTURAL FIELD OF THE USA IN THE FIRST HALF OF THE 20TH CENTURY

  Volodymyr Lapko

  474-481

  • PDF (Українська)

• SHYUNAZURY STYLE IN THE CONTEXT OF THE DEVELOPMENT OF THE ORIENTALISM EUROPEAN OPERA OF THE 18TH CENTURY (ON THE EXAMPLE OF THE OPERA CH. W. GLUCK «CHINESE WOMEN»)

  Ming Li

  488-495

  • PDF (Русский)

• TEACHING DRAWING TO FUTURE DESIGNERS IN TERMS OF THE MODERN CONDITIONS

  Svitlana Lopukhova

  145-150

  • PDF (Українська)

• DISCO AS A POPULAR DANCE STYLE OF THE SECOND HALF OF XX CENTURY: CHOREOGRAPHIC STYLISTIC FEATURES

  Zoia Makarova

  259-265

  • PDF (Українська)

• CURTAINS AND DETAILS OF STAFFAGE IN PORTRAITS OF BISHOPS IN THE ALTAR APSE OF THE BASILICA OF SANT' APOLLINARE IN CLASSE

  Iuliia Matveieiva

  95-101

  • PDF (Українська)

• STYLISTICS OF MIKHAIL KOKORULSKY'S BALLET "FOREST SONG" AS A SOURCE OF CREATIVITY IN UKRAINIAN BALLET MUSIC

  Alexander Melnichenko, Iryna Gorchynska

  321-329

  • PDF (Українська)

• THE TECHNOLOGY OF IMPLEMENTING A TRICK AS AN EFFECTIVE METHOD OF POP ARTIST HIGH PROFESSIONALISM

  Myroslava Melnyk

  216-222

  • PDF (Українська)

• INTERACTION OF ART AND SPORTS AS A FACTOR OF DEVELOPMENT OF VIRTUAL MOVEMENTS IN THE UKRAINIAN FOLK-STAGE DANCE

  Artem Morozov

  338-345

  • PDF (Українська)

• TITLES AND ANIMATION GRAPHICS IN MOVIES AND ON TV

  Mykola Mozhenko

  330-337

  • PDF (Українська)

• STUDIOS OF MODERN DANCE IN UKRAINE IN THE END OF XX - THE BEGINNING OF THE XXI CENTURY

  Angelica Nebesnyk

  346-351

  • PDF (Українська)

• СHOIR CHAPEL «DUMKA» IN THE CONTEXT OF THE NATIONAL CHORAL MOVEMENT OF 1917 – 1920S.

  Oksana Nikitiuk

  496-503

  • PDF (Українська)

• BAYAN-ACCORDION PERFORMANCE IN THE CONTEMPORARY MUSICAL SPACE OF UKRAINE

  Nadiya Ostapchuk

  442-448

  • PDF (Українська)

• THE MAIN TENDENCIES OF DEVELOPMENT OF VOCAL FESTIVALS-COMPETITIONS IN MODERN UKRAINE

  Natalia Ovsyannikova

  435-441

  • PDF (Українська)

• TRENDS OF MODERN BALLROOM CHOREOGRAPHY IN USA

  Tatyana Pavlyuk

  223-232

  • PDF (Українська)

• FORMATION AND DEVELOPMENT OF TECHNIQUES OF EXECUTION ON POINTE SHOES IN CLASSICAL DANCE

  Hanna Perova

  266-272

  • PDF (Українська)

• FEATURES OF CHORAL WORKS OF UKRAINIAN COMPOSER – SONGWRITERS OF 50-70, XX CENTURY

  Natalia Pertsovа, Veronika Dorofieieva

  428-434

  • PDF (Українська)

• THE CREATIVE ACTIVITY OF NIKOLAY SAMOKISH IN THE CONTEXT OF THE CULTURAL AND ARTISTIC LIFE OF POLTAVA AND KHARKOV REGION CONCERNING THE LATE ХІХ – EARLY ХХ CENTURIES

  Olga Petrenko

  151-158

  • PDF (Українська)

• IHOR NYKOLYSHYN'S CONTRIBUTION TO THE DEVELOPMENT OF THE FOLK-STAGE CHOREOGRAPHY OF UKRAINE

  Andrii Pidlypskyi

  352-359

  • PDF (Українська)

• SYSTEMOGENESIS OF MODERN ART PRACTICE

  Yurii Ponomarenko

  72-79

  • PDF (Українська)

• FASHIONABLE TEXTS IN HIPPIES SUBCULTURE

  Tetiana Porkhun

  80-86

  • PDF (Українська)

• PIONEERING APPROACH TO THE SCREEN VERSION OF «CHASING TWO HARES» PLAY

  Aleksandr Pryadko, Nikolai Gontharenko

  233-242

  • PDF (Українська)

• CONCERTS AS A SOCIOCULTURAL PRACTICE: THE PROBLEM OF THE ORGANIZATION

  Vasyl Romanchyshyn

  243-250

  • PDF (Українська)

• MODERN INTERPRETATION OF «LITTLE RED RIDING HOOD» IN THE OPERA OF UKRAINIAN COMPOSER ROMAN SMOLYAR

  Daria Romanets

  504-514

  • PDF (Українська)

• FYODOROV'S PHILOSOPHY OF MUSEUM AND SCIENTIFIC RELEVANCY OF AVANT-GARDE MUSEOLOGY OF ARSENY ZHILYAEV

  Serhii Rudenko

  29-36

  • PDF (Українська)

• RESEARCH OF MONUMENTS OF XVIII CENTURY WITH THE PLOT "BALIKIN ICON OF THE MOTHER OF GOD" FROM THE COLLECTION NKPIKZ AND NHMU

  Olga Ryzhova

  102-109

  • PDF (Українська)

• CHOREOGRAPHIC REFLECTIONS OF THE WORKS OF UKRAINIAN COMPOSERS (V. HUBARENKO, M. SKORYK AND E. STANKOVYCH) IN THE PERFORMANCES OF A. SHEKERA AND R. POKLITARU

  Viktor Shcherbakov

  282-287

  • PDF (Українська)

• THE CULTURAL AND THEMATIC ORIGINS OF UKRAINIAN CHILDREN'S BALLETS COMPOSERS ON THE DOMESTIC SCENE (ІІ HALF XX CENTURY)

  Kyrylo Shkuryeyev

  515-521

  • PDF (Українська)

• SCENOGRAPHIC ACCOMPLISHMENTS OF DESIGNER A. H. PETRYTSKYI IN BALLET THEATER

  Viktoriia Shumilova

  273-281

  • PDF (Українська)

• S. RACHMANINOV’S OEUVRE IN THE CONTEXT OF MUSICAL CRITICISM OF THE EARLY TWENTIETH CENTURY

  Nataliia Shvets

  421-427

  • PDF (Українська)

• THE VALUE OF THE REPERTOIRE IN THE DEVELOPMENT OF CULTURE (ON THE MATERIAL OF THE AMATEUR FOLK THEATRES OF ZHYTOMYR REGION AT 1990-2000-IES)

  Svitlana Sobolevska

  382-389

  • PDF (Українська)

• CATHOLIC SANCTUARIES IN UKRAINE: PERSPECTIVES OF USE IN TOURISM

  Olena Stepanova

  3-10

  • PDF (Українська)

• THE UNDERSTANDING OF THE «NATIONALITY» CONCEPT IN THE FESTIVE CULTURE OF UKRAINE

  Victoria Strelchuk, Irina Ivashchenko

  37-46

  • PDF (Українська)

• MODIFICATION OF THE TRIUNE IMAGE OF A WOMAN WITHIN MODERN CONDITIONS

  Anna Tkach

  159-166

  • PDF (Українська)

• BALLETS FOR CHILDREN IN UKRAINE AT THE END OF THE TWENTIETH CENTURY – AT THE BEGINNING OF THE 21ST CENTURY

  Yuliana Todoryuk

  360-367

  • PDF (Українська)

• UKRAINIAN ART HISTORY OF THE LATE XIX-EARLY XX CENTURY IN THE CONTEXT OF THE EUROPEAN SCIENCE OF ART: IDEAS, THEORIES, METHODS

  Irina Udris

  110-116

  • PDF (Українська)

• CEREMONIALISM OF EMILE DURKHEIM WITHIN THE FORMATION OF HERMENEUTICS OF CULTURE

  Halyna Volkova

  63-71

  • PDF (Українська)

• CHORAL ARRANGEMENTS OF UKRAINIAN FOLK SONGS BY ALEXANDER YAKOVCHUK: THE LEVEL OF THE NATIONAL GENETIC MENTALITY

  Alexander Yakovchuk

  288-295

  • PDF (Українська)

• LINOCUT IN THE ART OF THE EX-LIBRIS OF KHARKIV IN THE 1960-1970'S

  Vira Yarova

  251-258

  • PDF (Українська)

• SONATAS FOR BAYAN SOLO BY A. HAIDENKO IN THE CONTEXT OF TRENDS IN THE DEVELOPMENT OF THE GENRE IN UKRAINE

  Andrii Yeremenko

  296-305

  • PDF (Українська)

• THE EVOLUTION OF LITURGICAL SEWING: TRADITIONS OF UKRAINIAN CHURCH SEWING

  Maria Zalevskaya

  135-144

  • PDF (Українська)

• CHORAL WRITING IN THE SYSTEM OF CATEGORIES OF MUSICOLOGY OF THE 21ST CENTURY

  Olena Zaverukha

  407-412

  • PDF (Українська)

• PETRO STEPANOVYCH SHARVAROK AND BYZANTINE REMINISCENCES IN HIS MURALS IN THE CHURCH OF THE NATIVITY OF CHRIST IN FLORENCE

  Vitalii Zherdiev

  87-94

  • PDF (Русский)