No. 1 (2018): Альманах "Культура і Сучасність"

Статті

• Actual problems of cultural comparative studies

  Lyudmila Prosandeeva

  9-15

  • PDF (Українська)

• Festivation in the projection of globalism and alter-globalism

  Larisa Babushka

  15-20

  • PDF (Українська)

• The development of Culture of Management in Ancient China

  Elena Kovalenko

  26-33

  • PDF (Українська)

• Etiquette standards of managerial communication: a combination of traditional and innovative aspects

  Irina Konyukova

  33-38

  • PDF (Українська)

• Avant-garde museology of K. Malevich: nihilism or innovation?

  Serhii Rudenko

  38-43

  • PDF (Українська)

• Participation of the State in Cultural Processes: the USA and Ukraine Experience

  Victor Shostak

  44-48

  • PDF (Українська)

• The role of international tourism in the formation of intercultural competence

  Serhii Krasovskyi

  48-53

  • PDF (Українська)

• SOCIOCULTURAL POTENTIAL OF TV ADVERTISEMENT

  Kateryna Nazarenko

  53-58

  • PDF
  • PDF (Українська)

• Director's communicative model D. M. Gnatyuk: to the problem of staging the opera of P. I. Tchaikovsky "Queen of Spades"

  Viktor Bondarchuk

  59-63

  • PDF (Українська)

• Cultural studies of dance as a form of communication

  Iryna Hertz

  63-68

  • PDF (Українська)

• Director’s method of "One hundred thousand" staged by Mykola Merzlikin in 1968

  Nina Gusakova, Katerina Pivovarova

  68-73

  • PDF (Українська)

• The specifics of academic vocal art in terms of the contemporary cultural discourse

  Tetiana Kablova, Victor Teteria

  73-77

  • PDF (Українська)

• Passionarity of Performing Chamber Creativity of Ukrainian Collectives: Spatial-Semiotic As-pects of Innovations

  Anastasia Kravchenko

  78-82

  • PDF (Українська)

• Mosaic "The Sacrifices of Abel, Melchizedek and Abraham": the location of the action, the symbolism of the veil

  Iuliia Matveieiva

  82-86

  • PDF (Українська)

• Performance as a form of actionism in the context of modern artistic events

  Myroslava Melnyk, Natalia Kovpak

  87-92

  • PDF (Українська)

• Features of graphics and compositional decisions in the book-magazine cover of R. Lisovsky

  Oksana Mel’nyk, Viktor Shtets

  92-97

  • PDF (Українська)

• Somatic practices within modern balance choreography

  Tetiana Pavlyuk

  97-102

  • PDF (Українська)

• Theatricality as an element of the artistic structure of vocal performance

  Alla Popova, Olha Voichenko

  103-107

  • PDF (Українська)

• The origin of the marimba performance in Guatemala

  Ganna Ralo

  107-114

  • PDF (Русский)

• Features of style and iconography of the image "St. Stephen, the first martyr and Archdeacon" in the laurel icons of the XVIII century

  Olga Ryzhova

  115-119

  • PDF (Українська)

• The activities of the director in the structure of the mass holiday: the experience of studying the problem

  Vasyl Romanchyshyn

  119-124

  • PDF (Українська)

• Theoretical principles of understanding the phenomenon of the holiday

  Victoria Strelchuk

  124-129

  • PDF (Українська)

• Proportions in the art of architectural Design and 3D architecture in terms of the three dimensional architecture

  Sergey Sjomka

  130-133

  • PDF (Українська)

• Three main comparative trainings fortepiano collages and universities

  Bean Fan

  134-137

  • PDF (Русский)

• Stage in the projection of understanding the process of creative evolution of thought: Innovation of boundaries and horizons of sight on directing

  Svitlana Shumakova, Victoriy Bugayova

  137-142

  • PDF (Русский)

• Social determinants of the formation Ukrainian musical and dramatic groups last third of the XIX – beginning XX century

  Irina Yan

  143-147

  • PDF (Українська)

• Creative activity of ukranian artist Alexey Burley in the middle of the ХХ century

  Valentyna Batalkina

  148-153

  • PDF (Українська)

• Ukrainian folk songs arrangaments in the repertoire of Dnipropetrovsk ensemble of bandura players "Charivnitsy"

  Marina Berezutskaya

  153-157

  • PDF (Українська)

• The concerts of the Academic Chamber Choir "Khreschatyk"as an artistic reflection of genre and stylis-tic synthesis process

  Oksana Dondyk

  157-164

  • PDF (Українська)

• The importance of keeping basic vocally-technical principles during folk song solo performance

  Vanda Drinevskaya

  164-170

  • PDF (Українська)

• Transformation as a method of reincarnation of an actor in a contemporary music-hall turn

  Andrii Kasianenko

  171-175

  • PDF (Українська)

• Design and elements of entrance groups built into residential houses of service enterprises

  Andriy Kulyk

  176-180

  • PDF (Українська)

• Composition in painting as a discipline of the system of art education in the historical context

  Tamara Nedoshovko

  181-187

  • PDF (Українська)

• Amateur groups of folk-stage dance of Ternopil region the second half of ХХ – the beginning of the XXI century

  Andrii Pidlypskyi

  187-193

  • PDF (Українська)

• Activities of choir collectives in the Vinnitsa region of the first three of the ХХ century

  Ninel Sizova

  193-198

  • PDF (Українська)

• The choreographic manifestations in the metamodern culture in the early XXI century

  Liudmyla Khotsianovska

  198-203

  • PDF (Українська)

• China television dance projects in the context of the popularization of choreographic art: on the example of the show "Dance Forest"

  Zhan Zhang

  203-207

  • PDF (Русский)

• The song and composer's oeuvre of Gabriel Faure

  Binh Cheng

  208-211

  • PDF (Русский)

• PECULIAR FEATURES OF THE SMALL THEATRES ACTIVITY IN BEIJING AS EXEMPLIFIED BY THE FRINGE PENGHAO THEATRE

  Chao Yan

  212-216

  • PDF

• Genesis and delineation of concepts "design" and "projection"

  Oleg Yaremchuk

  217-221

  • PDF (Українська)

• HISTORICAL AND THEORETICAL ASPECTS OF SOCIAL AND CULTURAL TRADITIONS FORMATION OF CHERNIHIV-SIVERSKY REGION

  Viktorya Balabushka

  222-226

  • PDF

• The visual style of the magazine as an essential component of the publication's identification

  Victoria Butenko

  227-231

  • PDF (Українська)

• Educanto within the work of ukrainian futurist poet early twentieth century viewpoint culture (the ex-ample of works Myhail Semenko, Geo Shkurupii, Nick Bazhan)

  Olga Vernyhorenko

  232-238

  • PDF (Українська)

• GENESIS AND THE DEVELOPMENT OF MEDIATION IN A CROSS-CULTURAL ENVIRONMENT

  Mykhailo Herashchenko

  239-243

  • PDF

• VOCAL FRANKIANA OF BOHDAN-YURIY YANIVSKYI

  Khrystyna Golubinka

  243-249

  • PDF

• The simulation of phonography as a temporal problem

  Marianna Golubenko

  249-254

  • PDF (Українська)

• Pedagogical activities of Maria Donets-Tesseyr (Archival Materials)

  Tamara Davlatova

  255-259

  • PDF (Українська)

• Perception of compositional shaping within the design of periodicals

  Yelyzaveta Dziuba

  259-263

  • PDF (Українська)

• Gold embroidery and typology of tow stitches

  Mariya Zalevska

  264-267

  • PDF (Українська)

• Regional analysis of female performance in the Ukrainian ballet: 90s XX – early XXI century (part I: Kiev and Lviv)

  Valentina Zakharova

  268-273

  • PDF (Українська)

• Protection of cultural property during the conflict in the south-east of Ukraine

  Bogdan Kryvolapov

  274-278

  • PDF (Українська)

• Pavlo Matsenko’s composer-editorial activity: preservation the traditions of national choral art in Ukrainian western diaspora

  Lidia Kurbanova

  279-284

  • PDF (Українська)

• Main lights of life and creativity Ivo Bobul: to the question of periodization

  Anastasiia Lavrynenko

  285-290

  • PDF (Українська)

• Regularities of glam metal essence reflection in the music bands’ art vision and its constituents

  Olha Larina

  290-294

  • PDF (Українська)

• Slang in the subculture of football fans

  Andrii Liukhovskyi

  295-299

  • PDF (Українська)

• The main stages of becoming an entertaining TV art in Ukraine

  Annа Nabokova

  300-205

  • PDF (Українська)

• Prerequisites for the emergence of environmental museums in Ukraine.

  Hanna Novikova

  305-309

  • PDF (Українська)

• Peculiarities of the structure in the higher musical education of modern Germany

  Alina Oliynyk

  310-314

  • PDF (Українська)

• The culturological analysis of the literary heritage of the Greek Catholic priests of Eastern Galicia (in the 20th of century, between 20’s and the first half of the 40’s).

  Oksana Faryna

  315-321

  • PDF (Українська)

• Musealisation practice in virtual participatory systems

  Andrey Fenenko

  321-325

  • PDF (Українська)

• Little-known pages of performances by Larysa Rudenko (based on archival materials)

  Anastasiya Shilo

  326-329

  • PDF (Українська)

• Language as a universal form of being culture

  Maryna Lysyniuk

  330-333

  • PDF (Українська)