No. 4 (2017)

Articles

• Cultural practices of university: between discipline and discourse

  Olena Pavlova

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• The role of leisure in archaic Greece: the example of the works of Homer and Hesiod

  Iryna Petrova

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• Legal problems of the functioning of folk arts and crafts in the context of rural development

  Olena Gafurova, Volodymyr Yermolenko

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• CULTURE OF GOVERNANCE SERVICES PROVIDING

  Oleksandr Karpenko, Viktoriia Namestnik

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• Consolidated Information Resources of Social Memory Institutions: Challenges of Modernity

  Nataliia Kunanets, Halyna Lypak

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• The meanings in the management culture

  Yaroslav Martynyshyn, Elena Kovalenko

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• Humanistic ideals of the north renaissance in ‘the utopia’ by Thomas More

  Julia Sabadash, Josef Nikolchenko

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• Mass media as a reflection of socio-cultural transformations of society

  Adriana Skoryk

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• SOCIAL AND CULTURAL BASES OF EDUCATIONAL SERVICES PROVISION AND SUPPLY OF LABOR MARKET

  Lidiia Shynkaruk, Oleksandra Shynkaruk

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• Turkmenistan in the geocultural space of Central Asia and cultural ties with Ukraine

  Nurberdy Amanmuradov

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• Archetype and archetypal image: the problems of terminology in cultural studies

  Lyudmila Gotz

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• Ethnocultural values in the context transformations of society

  Zhanna Denysyuk

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• ANTROPOGENESIS TRIAD "BRAIN – CONSCIENCE – LANGUAGE" AS CULTURAL DETERMINER

  Yan Kapranov

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• The cultural conception of ideal of a man by Anatoly Fed

  Olga Ovcharuk

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• Rituality in the chronotope of Soviet culture: from traditional formations to new ones

  Svitlana Sadovenko

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• The phenomenon of antique philosophy in the cultural theory of integral traditionalism

  Vladislav Yeremin

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• THE UNIQUE LIFE PATH AND CREATIVE ACTIVITY OF UKRAINIAN DOCUMENTARY DIRECTOR O.M. SHOPIN

  Oleksandr Bezruchko

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• Filaret Kolessa – the founder of the Ukrainian ethnographic musicology: pre-Soviet historiography.

  Rostyslav Konta, Mykola Kozlov

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• Reception of the sacred in european musical culture in the second half of the 20th – beginning of the 21st centuries: methodological aspect

  Natalya Mozgaliova, Natalya Liva

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• CULTURAL PRACTICES AND APPLIED CULTURAL STUDIES: ISSUES OF THEIR INTERCONNECTION

  Olha Kopiyevska

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• Review of markets and forecasting of the estimated value of works of art (Part I – world markets)

  Borys Platonov, Viktoriya Mazur

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• Questions of training of critics-experts on accompanying of cultural values in the conditions on military conflict

  Olga Shkolna

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• Director’s searches for theatrical forms during the 90s of the 20 century

  Olena Abramovych, Kateryna Pyvovarova

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• Children’s ballets of Henry Mayorov. History of the Kyiv period of the ballet master`s art (1972-1978)

  Olha Bilash

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• HEURISTIC THINKING AS A CONDITION OF SUCCESSFUL PROFESSIONAL CAREER OF FUTURE OF ENVIRONMENT DESIGNERS

  Inna Birillo

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• Creative activity of Viktor Yaremenko in the context of development of the Ukrainian ballet theater at the turn of the 20th and 21st centuries

  Liudmyla Vyshotravka

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• The plactic in Ukrainian Art

  Yevhen Hula

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• Spatial and temporal dimension of Ukrainian abstract art

  Antonina Dubrivna

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• "Rock opera": the question of formation and development of the genre

  Natalia Donchenko, Iryna Zaitseva, Maryna Tatarenko

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• The phenomenon of ethno-cultural interactions in the guitar music of Dusan Bogdanovic: "Six Balkan miniatures"

  Tymur Ivannikov

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• Socio-cultural accommodation of jazz in the first half of the twentieth century: the question of interaction of arts

  Iryna Ilienko

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• MALE ENSEMBLE "KOZATSKI ZABAVY" IN THE CONTEXT OF MODERN CULTURAL INDUSTRIES

  Tetiana Kablova, Victor Teteria

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• NATIONAL TRENDS IN THE DANCE GENRES OF POLISH AND CZECH OPERA OF THE PERIOD OF THE NATIONAL SCHOOL DEVELOPMENT

  Tatyana Kaznacheeva

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• HISTORIOGRAPHY OF RESEARCH OF UKRAINIAN CHAMBER ART: CHRONOLOGICAL, PROBLEMATIC AND METHODOLOGICAL ASPECTS OF CLASSIFICATION

  Anastasia Kravchenko

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• Music in the Age of Viral Communication

  Eugen Kushch

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• The first ballet interpretations of A. Chekhov's works

  Svitlana Legka

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• Sociocultural functions of musical societies in Europe of the ХІХ century – beginning of the ХХ century

  Teresa Mazepa

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• The conceptual categories of postmodernism in the discourse of modern artistic culture

  Lesya Mykulanynets

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• The conceptual model of training of the respiratory system of the voice apparatus of future theater and cinema specialists

  Tatyana Nechayenko, Olga Vinar

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• Ballet theater as an objective of critical re-evaluation in modern Ukraine

  Alina Pidlypska

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• Component structure of the performing skills of a musician-wind instrument player

  Oleh Palazhenko

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• ADVERTISING GRAPHICS IN THE STRUCTURE OF INTEGRATED ART DISCIPLINE "DESIGN OF ADVERTISING"

  Svitlana Pryshchenko

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• Specificity of the spoken variety art on television: issues of development and genre formation

  Tetyana Sovgyra

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• Theoretical and methodological peculiarities of work with a children’s choir

  Ruben Tolmachev

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• "CHILDHOOD-YOUTHHOOD" AS SPECIAL PSYCHOCULTURAL CATEGORY AND ITS SPECIAL MISSION IN CULTURE AND ARTS OF THE XX CENTURY

  Olena Khil

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• The structuring of the current project image using innovative means of shaping based on the rock culture in conditions of modern fashion industry

  Natalia Chouprina, Olga Kuz’menko

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• INTERSECTION OF PERFORMATIVE AND CHOREOGRAPHIC ARTS OF THE EASTERN EUROPE EARLY IN THE 21ST CENTURY

  Olena Shabalina

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• Pneumatic tools for stage space design

  Kateryna Yudova-Romanova

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• THE ROLE OF UKRAINIAN MUSIC AND DRAMA THEATRE IN PRESERVATION AND DEVELOPMENT OF CULTURAL TRADITIONS OF THE UKRAINIAN NATION OF THE LAST THIRD OF THE XIX – BEGINNING OF THE XX CENTURY

  Iryna Yan

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• INTERNATIONAL PUPPET FESTIVAL "PODILSKA LYALKA" IN ART CREATIVE PROCESS OF THE DEVELOPMENT OF THEATER FESTIVAL MOVEMENT IN UKRAINE

  Yanina Babchenko

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• Commemorative coins of Ukraine as a manifestation of national identity in conditions of European integration

  Mariya Ladonenko

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• "PERPETUUM MOBILE" BY V. MUZHCHYL AS AN EXAMPLE OF CONCEPTUALISM IN MUSIC AT THE BEGINNING OF XXI CENTURY

  Dmitro Malyi

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• ENTERTAINING TELEVISION IN THE FORMING OF THE SPIRITUAL CULTURE OF THE UKRAINIAN YOUTH

  Anna Nabokova

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• POETIC SYMBOLISM IN THE MUSICAL HERITAGE OF N. MYASKOVSKY

  Anton Trofimov

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• THE SPECIFICS OF POP AND JAZZ PERFORMANCE IN SOUL STYLE

  Marina Fisun

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