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No. 1 (2021)
No. 1 (2021)
Published:
2021-04-20
Культурологія
CHARIOT RACING AS THE ENTERTAINMENT FORM OF ANCIENT ROME EVENTS IN THE CULTURAL STUDIES DIMENSION
Olena Goncharova
PDF
Memeticity of communicative practices in the conditions of developmentdigital information space
Zhanna Denysyuk
PDF (Українська)
Cultural research in the logic of the development of Ukrainian humanities: the experience of 2010–2020
Julia Sabadash, Josef Nikolchenko, Liubov Dablo
PDF (Українська)
Digital label of communicative culture of XXI century
Iryna Kanyukova, Evgeniya Sydorovska
PDF (Українська)
Signs of desacralization of eastern slavic food in modern conditions: culturological analysis
Maryna Kobzar
PDF (Українська)
Formation of socio-cultural traditions in Uzhansk National Nature Park
Svitlana Palamarchuk, Viktor Byrkovych, Iryna Shvets
PDF (Українська)
The principle of synergy in the creativity of the sixties as an innovation of Ukrainian Culture
Mуroslava Shevchenko
PDF (Українська)
Artistic space: history and modernity
Contemporary art in theory and practice
Olena Afonina
PDF (Українська)
Art, decorative art, restaurant
Scenic costume: evolution of contents in XIX (by theatrical troupes materials Russia-belonged part of Ukraine)
Iryna Nesen
PDF (Українська)
Portrait Drawings of Karpo Trokhymenko for the Painting “Meeting of the Presidium of the Academy of Sciences of the USSR in Ufa” (1941–1944)
Yuliya Maystrenko-Vakulenko
PDF (Українська)
"Artistic" and "visual" images in contemporary art
Tatiana Mironova
PDF (Українська)
Courtly Motives In The Art Of The High Middle Ages
Alina Slivinska, Larysa Tzvetkova
PDF (Українська)
Book publishing in Ukraine in the second half of the 20th century and artistic illustration in the works of V. Poltavets
Oksana Poltavets-Guida
PDF (Українська)
The art history transfer of the Ukrainian people's dress in protocol events
Svitlana Dolesko
PDF (Українська)
Choreography
Anthropomorphic symbolic images in the Ukrainian folk dancing culture
Karyna Kinder
PDF (Українська)
Ballet-masters` activity on the stage of National Opera of Ukraine in XXI century
Olha Bilash
PDF (Українська)
The artistic space of a choreographic performance and its hermeneutics
Olesya Vakulenko
PDF (Українська)
Aniko Rekhviashvili's creativity in the context of the development of the choreographic art of Ukraine in the late XX - early XXI centuries
Liudmyla Vyshotravka
PDF (Українська)
Musical art
The study of Chinese opera culture on the example of the genre palette
Maryna Antoshko
PDF (Українська)
Musical activity in psycho-pedagogical perspective: analysis of works of the beginning of the XXI century
Tetyana Braichenko
PDF (Українська)
History of establishment of the Musicology Department of the Adam Mickiewicz University in Poznan
Oksana Hysa
PDF (Українська)
Sound objects in creativity and theoretical works by Pierre Schaeffer
Nataliia Danchenko
PDF (Українська)
On the revival of the unfinished opera by M. Leontovich "Water Nymph's Easter"
Anatoly Zavalnyuk, Natalya Mozgaliova, Irina Baranovskaya
PDF (Українська)
The genre-style and performance features of the collection «Plays for Saxophone» by O. Melnyk and F. Mykytyuk
Iryna Paliichuk, Rostyslav Lesiv
PDF (Українська)
Periodization of the spread of polyphonic music and the introduction of linear notation in Ukraine
Mykola Рidhorbunskyi
PDF (Українська)
Autobiographical senses in piano miniatures by M. Glinka
Inna Tymchenko-Bykhun
PDF (Українська)
CULTURAL AND ETHNIC-CONSOLIDATING ROLE OF UKRAINIAN MUSIC AND DRAMA THEATER IN THE SOCIOSPHERE OF UKRAINIAN IN THE LAST THIRD OF THE XIX – BEGINNING OF XX CENTURY
Iryna Yan
PDF
Performing transformation of the main role in the opera "Lucia di Lammermoor" by G. Donizetti
Susanna Chakhoian
PDF (Українська)
Creative activity of Crimean Tatar composers of the XX century: musical and ethnological dimensions
Femiy Mustafayev
PDF (Українська)
Creative individuality of the composer within the Ukrainian scientific discourse
Viktoriia Datsenko
PDF (Українська)
The importance of the discipline “Computer Arrangement” in the modern educational training of students-ovens
Оlexander Sionchuk
PDF (Українська)
Producer as a key figure in the art market of postmodern culture
Igor Likhuta
PDF (Українська)
ROMANCE IN CHINESE MUSIC OF THE OPEN PERIOD: FROM ROMANCE TO KUNSTLIED AND ARTISTIC SONG
Wu Dongxuan
PDF
Multivariate performance principle of “Sicilian and burlesque” by A. Casella in stylistic conception of neoclassicism
Nazar Kravchenko
PDF (Українська)
Stage art
Stage techniques "subtext" and "apartе" in the verbal action of the actor
Ivan Soroka
PDF (Українська)
Problems of theatrical productions of dramatic works by Lesya Ukrainka on the modern Ukrainian stage
Larysa Khorolets
PDF (Українська)
Directing as an artistic phenomenon of radical changes in the performing arts of the late 19th - early 20th centuries
Nataliia Donchenko
PDF (Українська)
The specifics of the creative representation of classical and modern texts in the direction of A. Prikhodko
Iryna Ivashchenko, Viktoriya Strelchuk
PDF (Українська)
The evolution of European stunt art (50–70s of the twentieth century)
Nazar Mayboroda
PDF (Українська)
About the basic issues of interpreting the content of K. S. Stanislavsky's lecturing about the supreme problem
Оlena Moskalenko-Vysotska
PDF (Українська)
Circus suit as a means of artistic expression
Оleksandra Ilnitskya
PDF (Українська)
Articles
Review to the monograph by O. V. Frajt "Musical-verbal eminence: dimensions and paradigms"
Olena Afonina
PDF (Українська)
Philosophy of music analysis or a constantly receding horizon
Review to the monograph by А. Kravchenko «Instrumental chamber art of Ukraine. Late XX – early XXI centuries (semiological analysis)»
Valentyna Redya
PDF (Українська)
Review to the monograph by M.O.Antoshko " China's musical culture from its origins to the present: the interpenetration of artistic traditions and innovations"
Valerija Shuljghina
PDF (Українська)
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