No. 2 (2017)

Articles

• Government policy in providing services for the examination of cultural values

  Victor Karpov

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• IDEOLOGY AND SOCIO-CULTURAL FOUNDATIONS OF PROVIDING GOVERNANCE SERVICES

  Oleksandr Karpenko, Nataliia Savchenko

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• NEO-CONSERVATIVE POSITIONS OF CULTURAL POLICY OF THE UKRAINIAN STATE AT THE PRESENT STAGE

  Igor Pecheranskyi

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• The institutional component of mechanism of public administration in cultural sector

  Olga Chervyakova

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• State cultural policy as an element of the national security strategy of Ukraine

  Oleg Chechel

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• Internet memes as a means of post-folklore communication

  Zhanna Denysyuk

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• EDUCATIONAL COMPONENT OF CULTURAL PARADIGM OF MODERN UKRAINIAN NATION IN THE POST-REVOLUTIONARY EMIGRATION ACTIVITIES IN CZECHOSLOVAK REPUBLIC (1920)

  Larisa Doyar

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• Ph.D. in Study of Art, Kyiv National University of Culture and Arts

  Roksolana Dіachenko

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• State policy in the sphere of leisure as a component of the protection of national culture: experience of Canada

  Oksana Lubchenko

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• Ph.D., Associate Professor, National Academy of Culture and Arts

  Tatiana Monkо

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• AGE TECHNOLOGIES IN LEISURE ACTIVITIES

  Oksana Oliinyk

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• Analysis of recreational product – dendrological park"Oleksandriya" for preparation of perspective model of territorial organization of tourist sphere of the region

  Nataliia Shevchenko

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• Social culture in the context of the methodology of Ukrainian cuisine research

  Olena Plyuta

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• FUTURISM OF EDGAR VARESE IN PIANO INTERPRETATION OF HIS CREATIVE WORK

  Dariia Androsova

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• Творческие свершения Дмитрия Гнатюка: конец 60-х – начало 70-х годов ХХ века

  Viktor Bondarchuk

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• ON THE PROBLEM OF SYNTHETIC NATURE OF SOUND GENERATING MACHINE OF A WIND INSTRUMENT MUSICIAN (performing and pedagogical aspects)

  Valerii Hromchenko

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• Folk choreographic art of Ukraine in the modern socio-cultural conditions

  Volodymyr Nechitaylo

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• Some aspects of the intonation-semantic analysis of a musical text

  Irina P’yatniskaya-Pozdnyakova

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• "Bifunctional code" of chamber activity as a semantic approach to instrumental ensemble genres

  Liudmіla Povzun

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• STYLE OF PERFORMING INTERPRETATION AS A SUBJECT OF MUSICOLOGICAL RESEARCH

  Yelena Pototskaya

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• Conductor Boris Afanasiev: period of creativity in Dnepropetrovsk

  Nonna Surzhina

  • PDF (Українська)

• Creative career of Yuriy Chaika: opera directing

  Andrey Tulyantsev

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• UKRAINIAN MUSIC AND DRAMA THEATER IN THE CONTEXT OF THE NATION CREATION PROCESS OF THE LAST THIRD OF THE XIX – BEGINNING OF XX CENTURY

  Iryna Yan

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• Specificity of the rhythm & performance technique of the ballroom samba as a synthesized form of dance

  Maxim Bevz

  • PDF (Українська)

• Evolution of education system of bandura players

  Marina Berezutskaya

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• Competitional Viennese Waltz: standardization and peculiarities of performance technique formation

  Miroslav Keba

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• On the question of waltz evolution as a variety of ballroom dance: historical art analysis

  Svetlana Efanova

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• PRECONDITIONS OF ORIGIN OF CREATION WORK FOR BAYAN (late XIX – mid-twentieth century)

  Bohdan Kislyak

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• Postmodern features in "The Nutcracker" ballet by Р. Tchaikovsky – R. Poklitaru

  Mariia Korostelova

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• Cultural historical factors of the development of the built-in enterprises of services

  Andriі Kulyk

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• Fantasy-sonata "After reading Dante" by F. Liszt – is an example of a genre synthesis embodiment

  Fanuan Li

  • PDF (Русский)

• Problems and prospects of Ukrainian dance show programs

  Oleksandra Nakonechna

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• Cultural anthropology and "oral history" method in the context of the contemporary theater studies (through the example of articulation of Odessa city myth in the creativity of Musical Comedy Theatre named after M.Vodyanoy)

  Hanna Nikolaieva

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• "Synesthesia" as a conceptual thinking component of the composer Lesya Dychko

  Eugeniya Pakhomova

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• Synthesis of conductor-director interpretation in opera performance implementation (through the example of NMAU Opera Studio named after P. Tchaikovsky)

  Pavlo Pohodzey

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• On the Problem of Musical Composition Title

  Katerina Fizer

  • PDF (Русский)

• Origins of the "Suite Bergamasque" by C. Debussy: history of the creation and general characteristics

  Jiang Manni

  • PDF (Русский)

• Genetic genre origins of prelude and prelusion

  Olga Chernienko

  • PDF (Русский)

• Capriccio as a concept and a phenomenon

  Tiantian Zhang

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