No. 3 (2020)

Published: 2020-12-21

Культурологія

The tourism development of socio-cultural space of the city

Stepan Dychkovskyy
- PDF (Українська)
K-pop's movement and its role in the context of modern audio-visual culture

Anastasiya Tormakhova
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Creativity of Vasyl Avramenko and his contribution to Ukrainian and world culture

Lesia Turchak
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Regional institutions for the integration of culture post-Soviet space

Svitlana Kobyuk
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Artist’s creativity in the communicative space of culture: theoretical and methodological fundamentals of research

Olena Lifintseva
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Using cultural and creative industries as a way of small-town revitalization

Maryna Otrishko
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Artistic space: history and modernity

The formation of the antinomic concept of God in the philosophy and art of Christians of the II-VI centuries

Yaroslava Bondarchuk
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GENERALIZATION OF ARTS: POETRY AND ILLUSTRATION

Olena Gonchar, Oleksandr Soboliev, Liudmyla Lytvyniuk
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The sacred and ritual aspect of the dance in the English court Masque

Alla Sokolova
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Art, decorative art, restaurant

Art markets and art products in the art marketing structure

Dmytro Akimov
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Conceptual Basis of Art Jewelry Development in Europe in the 1960-1980s.

Marta Kravchenko
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THE PROBLEM OF PSYCHOLOGICAL IMPACT OF THE ADVERTISING POSTER ON SOCIETY

Marianna Chernysh, Hanna Demchenko
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Lino engraving in the creative work of Grigory Galkin: the artistic and figurative peculiarities

Vіra Yarova
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Patina in a time of transformation of artworks as a material feature of the past

Oleg Rishnyak
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Experience in the restoration of the murals of the interiors of the Trinity Gate Church in the Kyiv-Pechersk Lavra during the period from 1979 to 1991

Viktoriia Zaitseva
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Foreign historiography of enamel art

Oleg Naumov
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Choreography

Musical art

"Choral images" by V. Bibik as the embodiment of the system of the latest musical and artistic means

Olena Batovska
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VOCAL METHODOLOGY: ON THE PROBLEM OF SYSTEM RESEARCH

Nataliya Ovcharenko
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Socially aesthetic portraits of the choral culture figures of Zaporizhzhia in the second half of the twentieth century

Oleksandr Antonenko
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Influence of China's philosophical views on the country's musical culture

Maryna Antoshko
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Features of the formation of Latin American national composer schools in the post-colonial period

Larysa Vasylieva
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Philharmonic Academic Symphony Orchestra: the communicative aspect of a symphonic performance

Oleg Vasiuta
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Interpretation of fiction texts in the intermedial dimension. "Fiançailles for rire" of Francis Poulenc

Iryna Vezhnevets
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The role of the typology of etudes in art and intellectual activity

Diana Gultsova
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Features of interpretation of baroque music in bayan performance

Vitalii Okhmanjuk
- PDF (Українська)
The genre-style and performance features of sketches for saxophone J.-M. Londaks

Iryna Paliichuk, Andrey Yaskov
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J.Petzel's works for the ensemble of copper wind instruments in the context of German tradition of 17th century

Victor Slupskyi
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The evolution of a song form in rock and pop music

Veronica Tormakhova
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Abilities to the art of music: a retrospective view

Femiy Mustafayev
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Measures for the musical training of the primary art education seeker

Nataliya Nesterenko
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«I fear thy kisses» Percy Bysshe Shelley in the translation of Constantine Balmont in the vocal works of Anton Arensky and Boris Lyatoshynsky: A comparative analysis of the musical text

Iryna Hlovatska
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Musical interpretation as a manifestation of creative self-expression

Ziwei Kong
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Features of piano performance as an intonation phenomenon

Jiahua Zhang
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Stage art

Articles