No. 2 (2021)

Published: 2021-09-17

Культурологія

Hybrid threats as an object of educational practices in the cultural and artistic sphere of Ukraine (based on the experience of the Erasmus + project "Academic Counteraction to Hybrid Threats - #WARN" 610133-EPP-1-2019-1-FI-EPPKA2-CBHE-JP")

Dmytro Vedeneev, Olga Kopievska
- pdf (Українська)
Traditional socio-cultural values: possibilities of forsite methodology

Iryna Wilchinska, Oksana Oliinyk
- pdf (Українська)
Formation of information culture of society in the conditions of digitalization

Zhanna Denysiuk, Оlexander Yakovlev
- pdf (Українська)
The creative personality as a subject of culture in the paradigm dimensions of understanding

Oljgha Ovcharuk

23-30
- PDF (Українська)
Identity of personality and specificity of its self-presentation in virtual communicative space

Viktoriia Volynets

31-36
- PDF (Українська)
Restaurant service: from satisfying utilitarian and pragmatic to cultural and leisure needs

Roksolana Dіachenko

37-41
- PDF (Українська)
Cultural practices of creative unions in the development of civil society

Ruslan Mokhnyuk

42-48
- PDF (Українська)
The phenomenon of Korean wave in Metamodern European cultural environment

Larysa Osadcha

49-56
- PDF (Українська)
Technology as a factor in the cultural development of mankind: a study of the production nature of primitive culture

Tetiana Sovhyra

57-60
- PDF (Українська)
COMPUTER GAMES AS A COMPONENT OF CULTURE AND A SUBJECT OF CULTURAL RESEARCH

Yuliia Trach

61-64
- PDF
Creativity of K. Malevich in the context of development of world and domestic art culture

Lesia Turchak

65-74
- PDF (Українська)
The influence of information culture on the formation of the image of a superhero of the XXI century

Oksana Gaiduk

75-78
- PDF (Українська)
Explication of "places/museums of conscience" in the context of memory culture

Yana Hrynko

79-83
- PDF (Українська)
Institutional Field of National Development of Culture and Arts in Ukraine

Volodymyr Komar

84-92
- PDF (Українська)
Activity of a film producer within the cultural space of Ukraine

Sergey Lavreniuk

93-99
- PDF (Українська)
Ukrainian pantomime theater through the prism of the synergetic paradigm

Bohdan Svarnyk

100-104
- PDF (Українська)

Artistic space: history and modernity

Author's distance courses in the system of lifelong art education

Olena Afonina

105-110
- PDF (Українська)
THE MEDIA INFLUENCE OF TELEVISION FORMATS ON THE VIEWER’S MIND

Halyna Kot

111-115
- PDF

Art, decorative art, restaurant

Ukrainian artistic crafts within scientific writings of local researchers

Anastasia Varyvonchyk

116-121
- PDF (Українська)
Iconography of intertwined branches in M. Buraček’s landscapes during 1917–1924: (regarding problems of adaptation of Young Polish Japonisme in the works of Ukrainian students of the Krakow Academy of Arts)

Ivanna Pavelchuk

122-127
- PDF (Українська)
Kyiv Metropolitans were in the Artistic Process of the Kyiv-Pechersk Lavra at the End of the 18th – the Early 20th Centuries

Maryna Bardik

128-132
- PDF (Українська)
Artist of «troubled silence.» Mykola Bezdilny

Mykhailo Kuziv , Iryna Tiutiunnyk

133-138
- PDF (Українська)
Plurality the types of art in contemporary art: specifics of media art

Tatiana Mironova

139-148
- PDF (Українська)
Nature and image: a city in the art of Chernivtsi of the 20th – the beginning of the 21st century

Iryna Mishchenko

149-153
- PDF (Українська)
The Role of Costume in the Formation of the Character Image in the Theater of the Corypheses (1882 – 1914)

Iryna Nesen

154-158
- PDF (Українська)
Idyllic story in the creation of modern nations narratives, on the example of German, Jewish and Ukrainian painting

Roman Frankiv , Khrystyna Boyko

159-164
- PDF (Українська)
Artistic stylization as the main means of expression in different genres of fine arts

Veronika Zaitseva

165-169
- PDF (Українська)
Art history dynamics of theater scenography

Anna Alisher

170-175
- PDF (Українська)
Peculiarities of restoration of architectural graphics on the tracing paper on the example of architect's projects Pavlo Aloshyn

Maria Borysenko

176-181
- PDF (Українська)

Choreography

Ideological and philosophical principles of thematization of ballet criticism by Akim Volynsky

Alina Pidlypska

182-187
- PDF (Українська)
Definition of the concept of "modern dance" in scientific discourse

Olga Bigus

188-193
- PDF (Українська)
The significance of the stage achievements of the creative Baklan’s dynasty for the development of Ukrainian ballet (second half of XX - early XXI century)

Liudmyla Vyshotravka

194-198
- PDF (Українська)
Dance as a means of assimilating socio-cultural experience

Iryna Herz

199-204
- PDF (Українська)
Halyna Aleksandrovych in the choreographic culture of Ternopil region

Andrii Pidlypskyi

205-210
- PDF (Українська)
The Virsky Ukrainian National Dance Company in the scope of the art research (between 2010–2020 years)

Viktoriia Shumilova

211-216
- PDF (Українська)

Musical art

Role of piano training in a future military conductor’s professional development

Ruslana Vavryk

217-222
- PDF (Українська)
INTERACTION OF INTERPRETATION AND IMPROVISATION IN JAZZ VOCAL PERFORMANCE

Sergiy Gorovoy , Julia Pisarenko , Olga Ishchenko

223-228
- PDF
To the problem of "polyphony of consciousness" in the context of the aesthetics of constructivism

Katerina Ishchenko

229-233
- PDF (Українська)
ON THE ISSUE OF IMPROVING THE SKILLS OF THE ACCORDIONIST-ACCOMPANIATOR ON THE EXAMPLE OF LVIV CHOREOGRAPHIC GROUPS

Ruslan Kundys , Ivan Nykorovych

234-237
- PDF
Category of Simplicity is an artist intention and individual-style concepts "New Simplicity" in the creativity of contemporary composers

Aleхandra Ovsyannikova-Тrеl

238-243
- PDF (Українська)
“A Sea Symphony” by R. Vaughan Williams and its literary source

Olga Petrova

244-249
- PDF (Українська)
South Slavic culture and its influence on the formation of liturgical collections of the Ukrainian Orthodox Church

Mykola Рidhorbunskyi

250-256
- PDF (Українська)
TIMBRAL ALTERNATIONS IN TCHAIKOVSKY’S VIOLIN CONCERTO AS A MULTIFUNCTIONAL SYSTEM

Vadym Rakochi

257-261
- PDF
Myroslav Skoryk's opera "Moses" based on a poem by Ivan Franko as a narrative of the classical-romantic ideal

Viktor Stepurko

262-266
- PDF (Українська)
C. Orff. stage cantata «Carmina Burana»: grotesque as a means of creating an artistic image of the Fried Swan

Mykhailo Tyshchenko

267-272
- PDF (Українська)
Pop-song and academic chamber vocal music: points of crossing

Viktoriia Kushch

273-278
- PDF (Українська)
Entrepreneurship and engagement as a form of production activity

Igor Likhuta

279-286
- PDF (Українська)
O. Messian's piano cycle "20 views on the infant Jesus" in the aspect of connection with the legacy of О. Scriabin

Tetiana Motorna

287-291
- PDF (Українська)
«Huguenots» by J. Meyerbeer in the context of spiritual-Christian quests of the era of romanticism

Shang Yun

292-298
- PDF (Українська)

Stage art

P.T. Barnum's activities in the context of the American show business development of the XIX century

Olena Khlystun

299-303
- PDF (Українська)
Historical aspects of monologue stage speech

Olena Kosinova

304-310
- PDF (Українська)
Means of speech characteristics of the stage image in the context of decoding the signal space contemporary performances

Olga Vinar

311-316
- PDF (Українська)
Dychotomy of the phenomenal and semiotic bodies of the performer in the context of a theater without an actor

Iryna Ivashchenko , Victoriya Strelchuk

317-322
- PDF (Українська)
Organisational and Creative aspects of Ukrainian circus arts school

Vladyslav Kashuba

323-328
- PDF (Українська)
Specificity of the actor's skill in the context of post-dramatic theater productions

Anton Mezhenin , Yuliya Tsyvatа

329-333
- PDF (Українська)
Actor's training in the context of distance education

Valeria Shtefyuk

334-339
- PDF (Українська)

Articles

His life is an Academy! Professor Vasylj Chernets, rector of the National Academy of Culture and Arts Management

Yuriy Teljachyj

340-343
- PDF (Українська)